The Story Behind Valerie Harper's Signature Head Scarves

The Hollywood Reporter
The Story Behind Valerie Harper's Signature Head Scarves
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The Story Behind Valerie Harper's Signature Head Scarves

Few TV characters have ever been as legitimately stylish as Rhoda Morgenstern, the authentic, witty, insecure best friend of Mary Tyler Moore who moved to Minneapolis and worked as a window dresser at Hempel's Department Store. Of course Rhoda came to life courtesy of actress Valerie Harper, who on Wednesday announced that she has terminal brain cancer and, doctors predict, roughly three months to live. 

As the spirited 73 year-old actress told People  magazine in her announcement, "I'm not thinking of dying. I'm thinking of being here now." 

Though 35 years have passed since Rhoda — Harper's Mary Tyler Moore Show spinoff — finished its CBS run in 1978, her character's bohemian caftans, signature head scarves and layers of chunky costume jewels feel as "now" as can be. And the story of how Rhoda found her look is as quirky as the character herself. 

"It really came from this woman who was Mary’s stand in, named Mimi Kirk," explains author Jennifer Keishin Armstrong, whose book Mary & Lou & Rhoda & Ted: And All the Brilliant Minds Who Made the Mary Tyler Moore Show a Classic will be released by Simon & Schuster this May. 

STORY: Valerie Harper Diagnosed With Brain Cancer

"Valerie saw Mimi hanging out one day on set, and she was wearing some drapey, crazy thing with a head scarf. And Valerie turned to Allen Burns  (the co-creator of both the Mary Tyler Moore Show and Rhoda) and said, 'What would you think if I did that with Rhoda instead of wearing the schlumpy stuff?'" 

The 'schlumpy' stuff — plain sweaters, skirts and vests without much pizzazz — kept Harper's character cornered as the "overweight" friend. But as soon as Harper was ready to kick her small screen persona's clothes up a notch (losing 30 lbs. on Weight Watchers helped, too), Kirk became her assistant and unofficial stylist.

"I made a lot of her jewelry," says Kirk, now 74 and a noted raw foods chef. "I'd also go to her house and get rid of a lot of the wardrobe that didn't feel like Rhoda. She played a creative person and we had to make her look zippy." 

Though Kirk worked with show costumer Leslie Hill, it was she who scoured swap meets for vintage goods and had them re-tooled by a designer in Northern California. Even Rhoda's iconic head scarves were mostly made from found fabrics including table clothes and bedspreads that Kirk would cut and tie just-so. 

"Not every scarf could tie like that," says Kirk, who was never formally trained in fashion or costuming. "It's about finding the right shape." The scarves caused such a craze that Harper actually approached her friend about going into business. 

"But I was only interested in working on the show," she says. 

STORY: Mary Tyler Moore Reacts to Valerie Harper's Terminal Brain Cancer Diagnosis

A self-professed "late-blooming hippie" who started wearing scarves after reading a story about African dress in National Geographic, the style maker says she never gave much real-time thought to the looks she was creating. 

"It was my style at the time. I'd wear them to work, especially on a bad hair day," she laughs. She's remained close with Harper since the show ended and is mentioned in I, Rhoda, the actress' memoir that was released in January.

Some may even compare Rhoda's scarves to Carrie Bradshaw's shoes. Kirk agrees. 

"A lot of the clothes were just vintage pieces that we put together. But that built the character for her — like she actually was a window dresser." 

 

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