George Stevens

Leading Hollywood craftsman, responsible for some fine films of the 1930s and 40s, but whose later output tended toward the over-ambitious and excessive.

The son of performers, Stevens entered films at age 17 as a cameraman and later worked for the Hal Roach company, where he directed his first shorts. He joined RKO in 1934 and proceeded to churn out a series of crafty comedies and light musicals, scoring his first major success with "Alice Adams" (1935), which was followed by the Astaire-Rogers classic "Swing Time" (1936), the action-packed "Gunga Din" and the brilliantly realized debut pairing of Katharine Hepburn and Spencer Tracy, "Woman of the Year" (1941).

After heading the Army Signal Corps Special Motion Picture Unit during WWII, Stevens re-entered civilian life in 1945 and hit his peak with "I Remember Mama" (1948) and "A Place in the Sun" (1951). His subsequent work, including "Shane" (1953) and "Giant" (1956), strove for epic status but came off as overblown and excessive. Stevens's final effort, "The Only Game in Town" (1970), was a refreshing, if flawed, return to his earlier, more modest, style.

Son George Stevens, Jr., is a producer who made a well-received documentary on his father, "George Stevens, Filmmaker" (1984), served as chief of the United States Information Service's motion picture division from 1962-67 and was named the first head of the American Film Institute in 1977.

  • Born:
    December 18, 1904 in Oakland, California, USA
  • Died:
    March 8, 1975.
  • Job Titles:
    Director, Actor, Producer, Assistant cameraman, Cameraman
Family
  • Father: Landers Stevens. became film actor in 1921; appeared in some of his son s films
  • Grandson: Michael Stevens. born c. 1966
  • Mother: Georgia Cooper-Stevens.
  • Son: George Stevens Jr. mother Joan Stevens; chief of USIA s motion picture service (1962-67)
  • Uncle: Ashton Stevens.
Milestones
  • 1909 First appearance on stage at Alcazar Theater in San Francisco in Sappho
  • 1920 Became actor and stage manager for father s theatrical company
  • 1921 Moved to Hollywood; began working as assistant and second cameraman
  • 1924 First film as cameraman, The White Sheep
  • 1927 Joined Hal Roach as cameraman and scriptwriter for Laurel and Hardy, Our Gang, and Harry Langdon comedy shorts
  • 1930 First film as director, Ladies Past
  • 1932 Directed shorts for Universal and RKO
  • 1933 Directed first feature film, The Cohens and the Kellys in Trouble
  • 1938 Producing debut, Vivacious Lady
  • 1943 Joined US Army Signal Corps and became head of Special Motion Pictures Unit
  • 1945 Formed Liberty Films with William Wyler, Frank Capra and Samuel J. Briskin
  • Directed first two-reel comedies for Roach

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