A self-described Zen anarchist, writer-director John Milius was called far worse by friend and foe – everything from a self-styled fusion of Hemingway and Genghis Khan to the Hermann Goering of film directors. Such pat labels, however, failed to convey the depth and emotion on display in a Milius film, despite his unquenchable thirst for militarism and glorification of violence. Whether taking…
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