Also Credited As:Lydia Susanna Hunter
About Linda Hunt
Born on April 2, 1945, in Morristown, NJ, Hunt moved to Westport, CT with her family while still an infant. Burdened with a host of health problems since birth, Hunt was misdiagnosed with cretinism at six months of age. While in her teens, she was correctly diagnosed with hypo-pituitary dwarfism, a condition in which the pituitary gland fails to release enough growth hormone. Ironically, or perhaps consequently, Hunt grew up an unusual overachiever, undaunted by her condition. She took her first stab at acting at age 12 while performing in a production of "Flibbertigibbet" at Westport's famed Silver Nutmeg Theater. Hunt moved to New York in the mid-1960s, where she found consistent work in summer stock theater. Concerned that her unusual physical type would limit her future as an actress, Hunt initially focused on becoming a stage director. But the lure of acting proved too powerful to resist, so in 1969, Hunt returned to Westport to study acting under dramatic coach, Robert Lewis.
In the early 1970s, Hunt began a longtime association with the Long Wharf Theater in New Haven. Her one-woman show based on the life of Joan of Arc won the actress rave reviews and even flickers of interest from Broadway. A year later, Hunt went to New York City and made her off-Broadway debut as the Player Queen in the New York Shakespeare Festival's production of "Hamlet" in Central Park. This led to Hunt's first major role as the Irish maid Nora in a 1973 production of Eugene O'Neill's play, "Ah, Wilderness!" Originally directed by Arvin Brown for the Long Wharf Theatre, the play eventually moved to the Circle-in-the-Square Theatre along the Great White Way in New York, where it was taped for airing as a PBS special, "Theater In America" (1976). Hunt's screen career began in the late 1970s, when she made her television debut in a "Hallmark Hall of Fame" presentation of Arthur Miller's "Fame" (CBS, 1979). Adapted for the screen by the playwright himself, it was noteworthy that Miller specifically created Hunt's role of Mona with the actress in mind.
The following year, Hunt made her official big screen debut in Robert Altman's bloated and ultimately failed musical, "Popeye" (1980). Cast in a small supporting role as the feisty Mrs. Oxheart, Hunt's appearance was a fortunately forgettable cameo lost in an even more forgettable film that dogged stars Robin Williams and Shelley Duvall for years to come. Her next film, however, permanently changed her career. Tapped to co-star in the controversial drama "The Year of Living Dangerously," Hunt joined burgeoning young actors Mel Gibson and Sigourney Weaver in director Peter Weir's complex drama. Based on a novel of the same name by Christopher Koch, the film told the complicated tale of an Australian journalist caught at the center of a foreign country's political overthrow. Based on the real-life events of the attempted 1965 coup of Jakarta by Indonesia's Communist party, "Dangerously" earned Hunt an Academy Award for Best Supporting Actress for her portrayal of Eurasian photographer, Billy Kwan. The first actor to ever win an Oscar for playing a role of the opposite gender, Hunt's record stood untouched until 1999, when Hilary Swank won an Oscar for "Boys Don't Cry."
Despite her formidable talent, however, Hunt hit the proverbial glass ceiling. Though she remained consistently employed on stage - even winning two Obies and a Tony nomination in the 1980s and 1990s - the pedigree of her film work had slipped. Still, Hunt's presence in movies managed to endure throughout this period. Among her higher profile roles were supporting turns in such critical favorites as "Silverado" (1985), in which she played Stella, a genial saloon proprietor, and the blockbuster comedy, "Kindergarten Cop" (1990), portraying a school principle disapproving of a rough-and-tumble cop (Arnold Schwarzenegger) going undercover as a kindergarten teacher to capture a wanted fugitive. In 1993, Hunt briefly returned to television, starring in the ill-fated space opera, "Space Rangers" (CBS, 1993), which was cancelled after just six episodes. After a brief dormancy in the mid-to late 1990s, during which time she only appeared in the horror dud, "The Relic" (1997), Hunt's career underwent something of a renaissance when she turned to television. In 1997, Hunt created the role of Judge Zoey Hiller on David E. Kelly's long-running legal dramedy, "The Practice." A favorite recurring character for the show's fans, Hunt reprised the role more than two dozen times before the show finally adjourned its run.
In 2003, Hunt joined the cast of the HBO drama "Carnivale" (HBO, 2003-05) for a 10-episode run as the mysterious voice of Management. In 2005, actress Hunt added an unlikely new credit to her resume: video game icon. As the resonant, authoritative voice of the Narrator for the award-winning "God of War" video game series, Hunt gained a whole new generation of fans unfamiliar with her acting work. Hunt reprised the voiceover role for the game's sequel, "God of War 2." Following a long vacation away from features, Hunt finally returned to the big screen with the blended family comedy "Yours, Mine, and Ours" (2005), starring Dennis Quaid and Rene Russo. While her role was hardly much of a challenge for the actress, the movie did at least allow Hunt a rare opportunity to flex her comedic muscles. Her next project continued in the same vein, as Dr. Mittag-Leffler in director Marc Forster's twisted comedy, "Stranger than Fiction" (2006) starring Will Ferrell and Emma Thompson. After building a second career voicing narration for numerous PBS specials, including "Secrets of the Ocean Realm" (1997), "Woodrow Wilson" (2002) and "Auschwitz: Inside the Nazi State" (2004), Hunt joined the cast of the successful spin-off series, "NCIS: Los Angeles" (CBS, 2009- ), playing OSP Operations Manager Henrietta Lange.
|Raymond Davy Hunt. Worked for thirty years as vice president of Harper Fuel Oil on Long Island; died in 1985|
|Elsie Hunt. Taught at the Westport School of Music; accompanied the Saugatuck Congregational Church choir; died in 1994|
|Marcia Hunt. Born c. 1940|
|Interlochen Arts Academy, Interlochen , Michigan|
|The Goodman School of Drama, Chicago , Illinois|
|Nominated for the 2011 Teen Choice Award for Choice TV Actress: Action Adventure|
|Cast as Hetty Lange on CBS' "NCIS: Los Angeles"|
|Co-starred, opposite Will Ferrell, in the Marc Forster comedy, "Stranger Than Fiction"|
|Portrayed Sister Aloysius in the Pasadena Playhouse production of John Patrick Shanley's "Doubt"|
|Co-starred with Dennis Quaid and Rene Russo in the remake of "Yours, Mine and Ours"|
|Lent her voice to the mysterious Management in the HBO original series, "Carnivàle"|
|Narrated the Oscar-nominated documentary short, "Amazon"|
|Played recurring role of Judge Zoey Hiller on the ABC legal drama, "The Practice"|
|Narrated the Oscar-nominated documentary, "Paul Monette: The Brink of Summer's End"|
|Provided the voice of Grandmother Willow in Disney's animated, "Pocahontas"|
|Began second career as sought after voice actor, narrating the documentary, "Ecological Design: Inventing the Future"|
|First role as a series regular in CBS' "Space Rangers"|
|Had a supporting role, opposite Roseanne, in "She Devil"|
|Portrayed Alice B. Toklas in Jill Godmilow's "Waiting for the Moon"|
|Had supporting role as a saloon owner in Lawrence Kasdan's revisionist Western, "Silverado"|
|Starred as agent Audrey Wood in Arthur Kopit's play, "End of World"; received a Tony nomination as Best Actress in a Play|
|Had breakthrough screen role playing a man in Peter Weir's "The Year of Living Dangerously"; earned a Golden Globe Award for Best Supporting Actress|
|Made film debut as fighter Oxblood Oxheart's mother in Robert Altman's "Popeye"|
|First major TV appearance in the "Hallmark Hall of Fame" production of Arthur Miller's "Fame"; role was written for her by the playwright|
|Starred in "The Tennis Game" at the Music-Theatre Group of Stockbridge, MA; written specifically for her by the author George Trow|
|First major role as Norah, the maid, in Arvin Brown's Long Wharf production of "Ah, Wilderness!"; production later moved to NYC's Circle-in-the Square on Broadway; also aired on PBS' "Theater in America" (1976)|
|Off-Broadway debut as the Player Queen in the New York Shakespeare Festival production of "Hamlet" in Central Park|
|Began association with the Long Wharf Theatre in New Haven, CT; starred in one-woman show of about Joan of Arc|
|Returned to Westport and studied acting with Robert Lewis at Bambi Lynn's studio|
|Moved to New York; worked as a director at the St. Bartholomew Community Club Playhouse|
|First began acting at age 12, in the summer program at the Silver Nutmeg Theatre in Westport, CT|