About John McTiernan
Born on Jan. 8, 1951 in Albany, NY, McTiernan attended the Julliard School in New York, where he studied acting with the illustrious John Houseman. He later went across the country to attend the American Film Institute in Los Angeles and study directing on a fellowship. He helmed a few shorts, including "Watcher," before spending the next decade writing and directing some 200-odd commercials. McTiernan made the segue into features with "Nomads," a supernatural thriller about a French anthropologist (Pierce Brosnan) who moves to Los Angeles and is followed by the evil spirits of an extinct tribe he uncovered, earning the director substantial recognition at Cannes. McTiernan was sure to parlay said recognition into a full-fledged career with his next feature, "Predator," a hard-charging action thriller about a commando team lead by Arnold Schwarzenegger that is systematically eliminated by an extraterrestrial hunter. The success of the movie - both in terms of box office and critical praise - put McTiernan firmly on the map. The only question was whether or not he could follow through again.
McTiernan indeed followed up in a big way with his next feature, "Die Hard" - perhaps the greatest action movie of all time. Starring Bruce Willis as a New York City cop trapped in a Los Angeles high rise taken over by would-be terrorists, "Die Hard" set the standard for action movies in terms of scope, snappy comebacks and absurdly entertaining violence. The movie spawned three sequels and untold numbers of facsimiles, while launching the film career of Willis and cementing McTiernan's status as a top director. As an encore, McTiernan completed his initial Hollywood trifecta with a well-crafted adaptation of Tom Clancy's best-selling Cold War novel, "The Hunt for Red October" (1990), starring Sean Connery and Alec Baldwin. In addition to the sense of style and timing shown in "Predator" and "Die Hard," McTiernan brought the same detached intelligence to the movie version that Clancy wielded in the novel, elevating the story above mere thriller status to an exercise in military and diplomatic strategy - and in a tight 135 minutes no less.
McTiernan reunited with Connery - as well as cinematographer Don McAlpine - for the change-of-pace "Medicine Man" (1992), an uneven romantic drama about a doctor (Connery) who falls in love with his assistant (Lorraine Bracco), while trying to find a cure for cancer in the Brazilian rain forest. Though not reaching the cinematic heights of "Predator" and "Die Hard," McTiernan nonetheless turned in a solid effort. He did finally experience his first commercial and critical flop with his next film, "The Last Action Hero" (1993), the most expensive and most derided entry in the 1993 summer blockbuster season - the budget was said to be around $80 million - an astronomical cost for the times. Intended as a fun and lavish send-up of the genre, the movie - which starred old friend Schwarzenegger as an action movie hero trying to deal with a real-life boy stuck inside his action movie - failed miserably with a public that failed to appreciate its overly smug, tongue-in-cheek tone; though advocates considered it an underrated gem.
Having tried something different, McTiernan reverted to tried-and-true escapist formula with "Die Hard with a Vengeance" (1995), the third installment in the series - he had passed on directing "Die Hard 2: Die Harder" in 1988. With Willis at his macho best, and aided by the great action-sideman Samuel L Jackson, the film disappointed only those unwilling to suspend their disbelief and strap themselves in for a wild ride. McTiernan next wrote and directed "The 13th Warrior" (1999), a historical thriller about Vikings and cannibalism that boasted a cast headlined by Antonio Banderas and was based on Michael Crichton's 1976 novel, Eaters of the Dead. Reportedly, Crichton was displeased with the film and wrested control of it from the director, holding up its release and undoubtedly killing the prospect of McTiernan directing a proposed film version of Airframe. McTiernan moved on to helm the remake of "The Thomas Crown Affair" (1999) which pitted Pierce Brosnan as a millionaire art thief and Rene Russo as an insurance investigator hot on his trail. In his version, McTiernan turned up the romantic heat while allowing the audience into the criminal's mind in scenes with his psychiatrist (Faye Dunaway).
With his stock on the rise again, McTiernan went back to the remake well and drew a big bucket of flop with "Rollerball," a sorry, disjointed mess of a movie that was plagued by a long-delayed release and bad Internet buzz. Whereas the original was a futuristic dystopia about the corporate takeover of modern society, McTiernan's version was nothing more than a dumbed-down action flick about roller skating. Moving on after the critical and box office debacle that many felt probably never should have been made, McTiernan flopped again with "Basic" (2003), a derivative and implausible thriller about the mysterious death of a hated Army Ranger commander (Samuel L. Jackson) and several of his men that are investigated by one of his former subordinates (John Travolta). After "Basic," McTiernan struggled to find his creative footing, opting to look for a worthwhile project instead of jumping onto another disaster project.
While he was in preproduction on his next project, a lower-budget thriller called "High Stakes," disaster managed to find him in different ways. McTiernan was suddenly tabloid fodder when he was charged with lying to the FBI in the wiretapping investigation engulfing private investigator, Anthony Pellicano. Allegedly, McTiernan lied about using Pellicano to wiretap "Rollerball" producer Charles Roven, making the director the 14th person - though first celebrity - to be charged in the investigation. It was later revealed that McTiernan also hired Pellicano in 1997 to wiretap his then-wife Donna Dubrow to gain a tactical advantage during divorce proceedings. McTiernan pled guilty, which he later tried to withdraw with new council by claiming he was jet-lagged and under the influence of alcohol and medication. U.S. District Judge Dale S. Fischer denied the motion, sentencing McTiernan to serve four months in federal prison and pay $100,000 in fines for lying about his relationship with Pellicano. Though originally set to surrender for incarceration, Fischer allowed McTiernan to remain out of prison pending an appeal. Later, a federal appeals court voided his sentence and allowed a hearing regarding his plea withdrawal to proceed. McTiernan eventually withdrew his plea in early 2009, while the case remained open for prosecutors to file charges a second time.
|Donna Dubrow. produced McTiernan's "Medicine Man" (1992); divorced|
|Truman Elizabeth McTiernan. born on June 3, 2000 in Montreal, Canada|
|John McTiernan. played small roles in his son's movies "Die Hard with a Vengeance" (1995), "The Last Action Hero" (1993) and "The Hunt for Red October" (1990)|
|Ethan Dubrow. born c. 1966; accused of manslaughter October 1993; found guilty of involuntary manslaughter in March 1996; served as executive producer of "The 13th Warrior"|
|State University of New York, Old Westbury, Old Westbury , New York|
|The Juilliard School, New York , New York|
|AFI Conservatory, Los Angeles , California|
|Directed John Travolta and Samuel L. Jackson in the thriller "Basic"|
|Helmed the remake of "Rollerball"|
|Directed the remake of "The Thomas Crown Affair", starring Brosnan|
|Produced and directed "The 13th Warrior", based on Michael Crichton's "Eaters of the Dead" (filmed in 1997)|
|Helmed and produced the sequel, "Die Hard with a Vengeance", again starring Willis|
|Directed and produced "The Last Action Hero", reteaming him with Schwarzenegger|
|Reteamed with Connery and cinematographer McAlpine for "Medicine Man"|
|Initial projects as executive producer, the feature "Flight of the Intruder" and the Fox TV-movie "Robin Hood"|
|First film with Sean Connery, "The Hunt for Red October"|
|Directed the blockbuster thriller "Die Hard", starring Bruce Willis|
|First major Hollywood feature, "Predator"; first film with Arnold Schwarzenegger; also first association with director of photography Donald McAlpine|
|Feature acting debut, as Colonel Williams, in "Death of a Soldier", an Australian WWII movie|
|Feature directing and screenwriting debut, "Nomads"; first association with actor Pierce Brosnan|
|Wrote and directed more than 200 TV commercials|
|Studied acting with Nina Foch and observed her classes|
|Wrote and directed the short film "Watcher"|
|Received a fellowship from the American Film Institute|
|Worked as designer and technical director at Manhattan School of Music|
|Appeared in productions as a member of the La Mama Experimental Theatre Club (ETC) in New York City|
|Made first film, "The Demon's Daughter" (unreleased to date)|