| Became the first animator assigned to work on "Aladdin" |
| Began making his own "flip books" to approximate animation |
| Came to the attention of British producer-director-animator Richard Williams while still a student; offered work on the feature "Raggedy Ann and Andy" |
| Designed the Genie character and helped establish the film's style |
| Directed, designed and animated commercials for Williams while working alongside such veteran animation figures as Art Babbit (of 1940s Disney fame) and Ken Harris (from Warner Brothers) |
| Made Super-8 home movies |
| Moved to California with his family |
| Moved to London |
| Moved with family from Levittown PA to Cherry Hill NJ at age six |
| Teamed up with Mario Cavalli and Pam Dennis to open his own commercial studio, Pizazz Pictures; created hundreds of animated commercials--including some prize winners--for European and American products (date approximate) |
| Was drawing and photographing (a frame at a time) his own animated films by age 13 |
| Was drawing pictures of Woody Woodpecker by age four (with the help of his older brother) |
| Worked briefly as an independent animator |
1974 | While a college student, entered and won the grand prize in Kodak's Teenage Movie Awards with a short entitled "For Sale" |
1977 | Began a four-year association with Williams |
1977 | First professional assignment, served as an assistant animator (to Tissa David) on the character of Raggedy Ann in "Raggedy Ann and Andy" |
1982 | Reteamed with Williams to serve as director of animation on the Emmy Award-winning ABC cartoon special, "Ziggy's Gift" |
1983 | Worked for noted commercial animation director Oscar Grillo for six months in London |
1990 | Invited by Disney to work on their animated feature "Aladdin" |
1992 | First Disney feature credits, supervising animator (Genie) and character designs for "Aladdin" |
1995 | Feature directorial debut, co-directed (with Mike Gabriel) Disney's "Pocahontas" |