Lt. Shane Wolfe (Vin Diesel) is a tough Navy S.E.A.L. who rescues a
kidnapped scientist but ultimately fails to protect him. The scientist
created a top-level program that could tip the balances of power
between nations. But his powerful program, G.H.O.S.T. is secretly
hidden somewhere at his home in Maryland which also inhabits his wife
(Faith Ford) and five of his children. Wolfe's superior, Captain Bill
Fawcett (Chris Potter), takes the wife to Switzerland to open a
mysterious safety deposit box, which may be the catalyst to discover
the program (too bad they didn't play up some attraction between
themselves). Fawcett also assigns Wolfe to watch over and manage the
rowdy children (from infant to teen), look for the program in the
house, and fend off recent break-ins. But the conflicts and drama with
the children take center stage. Is Wolfe man enough to conquer
turbulent domesticity and diapers?
Director Adam Shankman (who
has more choreography credits under his belt) has worked with Disney
to direct other non-threatening, comedic and financially successful
fare such as Bringing Down the House and The Wedding
Planner . Shankman follows Disney's direction and sticks rather
close to the innocuous tone of the story written by Thomas Lennon and
Robert Ben Garant. Director of photography, Peter James (
Diabolique, Meet the Parents ) does a serviceable job with
photography, but his prior work was certainly more professional. One
noticeable bad shot is after the principal gives Wolfe some coffee.
Watch how she stands over her desk and almost falls out of the awkward
frame to the right - the sloppy shot is cockeyed for no reason. But
most scenes are better balanced and look fine, though. The film has a
nice pace from editor Christopher Greenbury, though the John Debney's
nice score doesn't surface too much. Despite this film's poor
critical reviews with much of the script just a quick set up for the
situation comedy between the kids and Diesel, it has its entertaining
moments. Regardless of my reservations I did kind of fall
under its spell. The actors are quite good, and there are a few
touching scenes. While Diesel always sounds like he's talking through
a killer sinus infection, though Diesel makes sure he annunciates
well, he is obviously refusing to be pegged as a mono-voiced action
dolt with the stoic face. So it's cool to see him allowed to loosen up
a bit here in a more ordinary, suburban environment. Better yet, is
the fact that Diesel really has the tone correct for Wolfe acting
rather naturally and not going over the top; I was impressed with that
the most. Brittany Snow ( American Dreams ) plays the eldest
daughter, Zoe, and notwithstanding her striking beauty, Snow
definitely shows some acting chops near the end in a sweet (but
predictable?) scene with Diesel. Max Thieriot ( Catch That Kid
) plays the second eldest brother and is sincere and has some
presence, but really needs to vary the emotions of his reactive
moments. Lauren Graham ( Gilmore Girls ) is quite good and
attractive with some potentially interesting (but underdeveloped)
chemistry with Diesel, but her speech can be too fast. Talented Brad
Garrett ( Everybody Loves Raymond ) plays the assistant vice
principal with a bizarre chip on his shoulder and Garrett chews the
scenes with vicious aplomb. But let's face the fact that Garrett's
extended screen time begins to slow the plot. It's always a pleasure
to see Carol Kane with her ghostly face and strong intent, too bad
that like Garrett, she's over the top here including over-annunciating
a European accent (sigh) – less would have been more. The rest of the
cast does a very nice job including the radiant Faith Ford, a thinner
Chris Potter and newcomer Morgan York whom is a fine, promising young
actress with great eyes.
Despite a few original jokes and
quirks which were fun in the moment as well as two little interesting
plot twists, overall, thematic cliché's abound which certainly
brings to mind Kindergarten Cop and a hodgepodge of past
comedies ideas . Roger Ebert was right when he noted about
this film that comedy's difficult to do when the actors don't have a
lot of funny things to do. The film was a hit raking in over $100
million, so more than a few people enjoyed it. But while some scenes
don't feel very inspired, believe it or not, the film still remains
pleasant to watch, has relatively good plot structure for what it is,
but most of the credit for the entertainment might need to fall upon
the strong performances on screen.
The Video: How Does
The Disc Look?
This film is presented in its 2.35:1
widescreen ratio in Anamorphic video. This transfer looks terrific.
While a mite warm, the colors are fully saturated and very pleasing.
Fleshtones appear natural, though rarely falling into the slightly
orange zone, though it appears that the set lighting tries to smooth
out facial lines on the over-20 year old actors. Blacks are rich and
the shadow detail of small objects is quite good given the particular
focus and set up of the scene. Evening scenes are fairly crisp, though
a few shots can appear slightly faded. Grain, however, remains in
good, tight shape through all of the scenes. Edge halos were nearly
nonexistent, and compression problems never occurred. On the rarest
occasion, I did notice a black spec or two from artifacts out of the
blue. Overall, this is a strong transfer that will look quite fine in
home theater. Please avoid purchasing the full screen version.
The Audio: How Does The Disc Sound?
The
audio is in 5.1 Dolby Digital. The audio is well produced with nice
attention to the dialogue, which can be difficult to record. As usual,
the music by John Debney maximizes the most out of the dynamic range
in the audio mix with some decent attention to instrumentation.
Effects are nicely utilized, though they curiously do not have a
strong frequency range, but that was ok. Surrounds mostly utilize the
score and a gentle ambiance at times. And while a few effects showed
some separation from the rears, audio was not too discreet. The .1 LFE
was subtle and sensitive, all the while never becoming too dramatic.
While I thought this mix could have afforded more aggression, it still
sounds fine and shouldn't find too many complaints.
A 5.1
French Dolby Digital audio track is another option. English closed
captions are included as well as English and French subtitles.
Supplements: What Goodies Are There?
Supplements provide a long list, but are shifty in their impact
usually because of short runtimes.
First up are
Bloopers…on Full Alert running 2:30. Sadly, there
aren't very many great bloopers in this mix, but a few. They come at
you fast and furious (no pun intended) so they remain a bit
interesting. Next is Hilarious Deleted Scenes
running 2:40. These include five scenes: 1) Shane and Gary, 2)
“Ribbit” 3) Kickball 4) Wrestling Practice 5) Speed Trap. They are all
a bit interesting, but not really hilarious: As with deleted scenes
from other films, one can understand why these were dropped. Though I
thought Speed Trap would have worked, but director Adam Shankman was
trying to keep the film around 90 minutes mark per his orders from
Disney.
We also have a screen-specific audio
commentary with director Adam Shankman and writers Thomas
Lennon and Robert Ben Garant. While the film may have received poor
critical reviews, Shankman is frequently sarcastic throughout the
first half of the film, and it's irritating to such a mild film.
Perhaps he's trying to beat people to the punch of further criticism,
who knows? For instance, when Diesel walks down the stairs in a towel,
Shankman says, “That's [Vin Diesel's] all CGI, we used a cartoon, then
added the head…”[blah blah blah]. Stupid. The tentative writers behave
like second fiddles, and it's a shame that the filmmakers didn't have
more of a thoughtful time with the commentary, despite the merits of
the film. However, Shankman does have an eye for detail when he gets
into some particulars, and there's no denying his talent. And it's
interesting to note a ton of scenes that were cut (though didn't make
it onto the deleted scenes feature here). The fact that the film was
originally written for Jackie Chan as Shane Wolfe was also
interesting. During the last half of the film, the trio becomes more
interesting about the technical trivia of making the film with less
sarcasm. Overall, this is a decent commentary with new things to learn
about the film.
On the Set with Mr. Diesel: Action
Hero/ Nice Guy running 2:38 . Most of these shots are behind
the scenes with Diesel holding, feeding, and goofing around with the
young ones and clearly enjoying them. Others from the cast note
Diesel's genuine enjoyment. Diesel fans should enjoy this little
featurette.
Brad Garrett: Unpacified is the
next featurette running 4:00. Mr. Garrett utilizes the time to make
wise cracks throughout this including some self-depreciating humor and
fans of him will get a kick out of this. Some behind the scenes shots
are also included with Garrett hamming it up.
Special
Ops TV Commercials includes five different commercials for
the film each with a different title: 1) Quacking Up 2) In a Sticky
Jam 3) Duck & Cover 4) Who's the Dumbbell 5) X-Treme Pushups. Then
there are trailers for other films including Chicken Little, Ice
Princess, The Chronicles of Narnia, Hitchhiker's Guide to the Galaxy,
According to Jim, Aliens of the Deep, and Halloween
Town Movies.
Also included are a few
online games at Disney's website for the movie here .
Exclusive DVD-ROM Features: What happens when you pop the disc
into your PC?
No DVD-Rom features are included on this
DVD.
Final Thoughts Comedic themes aren't
new here, but the film is rather innocuous and sometimes fun to watch.
It's refreshing to see Diesel in more of an ordinary environment,
which contrasts against his persona. It's just too bad that the story
wasn't cleverer. Anyway, the picture quality is quite good, the audio
a tad less exciting than perhaps expected, and the supplements have
some interesting elements. Fans certainly won't be disappointed with
the purchase of this film - and otherwise, a rental can get you
through a lazy evening.