The Will Smith comedy Hitch is like an uncomfortable but
promising first date: Both parties try too hard to be liked, stretches
of boredom tempt disaster, and neither can smoothly say goodnight. But
all is forgiven since, despite the missteps, they both have a really
nice time.
Smith plays the title noun, a high-priced
relationship consultant who teaches men how to behave on dates. This
Date Doctor doesn't advertise and he dare not tell a woman what he
really does for a living. Mind you, Hitch is no sleaze merchant, as
evidenced when he refuses to help an obnoxious player who just wants
to get laid. Well-versed in the mysterious courtship rituals of the
human female, Hitch councils men on how to make the women they love,
love them back. Hitch's most challenging case (his Sistine
Chapel, he calls it) is corpulent accountant Albert (Kevin James),
who's fallen for client Allegra (Amber Valletta), a beautiful
socialite/heiress/celebrity/not really sure what. Cole's nightlife is
fodder for tabloid reporter Sara Melas (Eva Mendes), the very same
Sara Melas whom Hitch met at a bar and now has the hots for. Of
course, Hitch can dish out high-priced advice, but he finds it harder
to practice what he preaches when pursuing Sara. Their first two
dates, including a jetski trip to Ellis Island , end in humorously
disastrous fashion. So Hitch's challenge is getting Allegra to fall in
love with Albert, while getting the increasingly suspicious Sara to
fall in love with him.
Freshman screenwriter Kevin Bisch's
script has problems that director Andy Tennant ( Ever After )
should have protected him from. Passages are too wordy and some scenes
go on multiple beats too long. Not content to be cute, the film must
be super fabulous cute, as lines are delivered with maximum
chirpiness. Considering there's only two main storylines, the movie
still manages to clock in at 116 minutes. The movie is too long for
the story it's trying to tell.
Such vices would sink any
romantic comedy. But Hitch refuses to end until it wins you
over, and eventually it does both. Most of the credit goes to Smith,
whose reservoir of charm and watchability is bottomless. Here he
effortlessly carries the movie. Sitcom star Kevin James makes a
terrifically funny second-banana, getting laughs from his general
befuddlement, as well as some good physical comedy. There are plenty
of solid chuckles and a light, sophisticated sheen that sets the
proper tone. Excellent Manhattan locations ground the film nicely,
while still allowing room for a fairy tale quality to emerge.
Thanks to careful tending and Smith's likeability, the Hitch
character is able to emerge on the winning side of getting laid versus
falling in love. His moral ground is stable enough that female
audiences will not be offended. In fact, most women will smile
knowingly at the concept of institutionalized male cluelessness. Come
to think of it, if there is a real life Hitch out there, you can
contact me c/o this website.
The Video: How Does The
Disc Look?
This 2.40 Anamorphic transfer is garish.
Granted, it'll probably satisfy Saturday night rental buffs, but
serious videophiles may want to avert their eyes. The picture is so
bright that fine details flatten out, like staring into the sun. The
brightness also leads to some stair stepping and edge halos. The color
palette is wide, but many hues have an artificial sheen to them.
Daytime interiors look the best, with colors that are nicely
saturated. Nighttime exteriors have more grain then they should for
such a new and high-budget film. Nighttime interiors are also grainy,
with blacks that look crushed. Also, the picture is soft. Otherwise,
it's a great, great transfer. Oh, and the picture is really bright.
Otherwise, it's a very enjoyable transfer.
The Audio:
How Does The Disc Sound?
The Dolby Digital 5.1 track
fares better. The mix is very active, with music, dialogue and ambient
sounds all smoothly integrated. Dialogue sounds very clean, but some
of it sounds thin. I also noticed a bit of hiss. The music features
deep bass and confident use of the surrounds and the sides. Ambient
sounds like echoes and street noise sound very nice. The moment where
Albert spills the marbles on the floor surprised me as the sound
spread all around the soundscape. Good work here.
Also
available are English and French subtitles and French mix.
Supplements: What Goodies Are There?
The extras are geared towards the rental crowd,
meaning just enough to entertain the viewer for the weekend, but
hardly good enough to warrant a purchase.
It makes sense that a
movie too long has only three deleted scenes . Each
scene is introduced by someone I'll assume is director Andy Tennant (
Ever After ), even though he doesn't introduce himself and
he's not mentioned in the menu system. The first cut scene beefs up
the character of Cressida, a former flame of Hitch. Although Tennant
says the actress playing Cressida was fine, the character was
superfluous. The second scene (which doesn't contain a Tennant
comment) continues the date between Hitch and Sara at Ellis Island .
The final deleted scene includes an audio commentary by Tennant and it
replaces the opening needledrop music with a George Fenton cue. This
one's interesting for movie music fans like myself. The video quality
on these clips is excellent,
Five featurettes
zero in on a specific aspect of the production. Dance
Steps Made Easy delves into the nerdy dance moves that Kevin
James' character attempts. There's good on-set footage and standard-
issue interviews with Smith and James. Love in New York
teaches us what it's like to shoot in Manhattan . There are also
trivia bubbles that provide extra information. The third featurette is
Hitch Style , in which costume designer Marlene Stewart
discusses conveying Hitch's style via his high-fashion clothing. Next
is The Dating Experts , in which psychiatry professor Georgia
Witkin explains that she was hired to read the script and confirm that
the characters' behavior was consistent with what she knows about
relationships. A bunch of dating experts and life coaches weight in
with their expertise. This is the best of these five featurettes.
Finally, there is Will Smith's Red Carpet Race , in which
Smith tries to break the Guinness World Record for the most public
appearances in 12 hours by a film star. The piece starts with his
first stop in Manchester , England and ends with Smith accepting the
Guinness plaque for his achievement. I'll rarely say this about a DVD
featurette, but this one could have been longer. It's less than four
minutes.
Next is a five-minute gag reel . I'm
beginning to realize that a gag reel is a gag reel is a gag reel.
Actor screws up line. Actor smiles and swears. Crew laughs
uproariously. Next. Here we have Will Smith and Kevin James filling
their gag reel responsibilities. Video quality is excellent.
Finally, there is a music video from someone
named Amerie and 13 trailers and DVD promos
, including the new big-screen Bewitched and Jon
Favreau's space adventure Zathura.
Exclusive DVD-ROM
Features: What happens when you pop the disc into your PC?
There are no DVD-ROM features on this DVD. Final
Thoughts
Hitch is a pleasant confection that
overstays its welcome and does not rise to the level of being worth
purchasing. It'll never hold up to repeated viewings, unless the idea
of seeing Will Smith do something other than saving the world is too
unique to experience only once. Just know that an overly bright
transfer and a limp set of extras await you when you get this DVD
home.