Before two best friends and medical students, Ernesto Guevara de la
Serna "Che" (Gael García Bernal) and Alberto Granado (Rodrigo De la
Serna) graduate from a Buenos Aires med school, they decide to take a
trip around their continent of South America. They plan to visit such
places as Chile, Peru, and Venezuela. Some of their stops would be
with working doctors in the medical community with whom that had prior
correspondences. Their rickety motorcycle takes them part of the way,
but the walking part of their journey brought them face-to-face with
other travelers on the road. These civilians' tragic stories transform
these young guys into worldly men. Ernesto Guevara de la Serna is
extremely moved. He becomes enlightened and concerned for humanity,
and develops such strong feelings against racism and classism, that
eventually he became a revolutionary. However, this film only examines
Che's initial trip, which was before he became a politically charged
man who fiercely fought for his beliefs, and dedicated his life to
causes. We see the beginnings of his transformation, provoked by deep
soul searching and his life changing motorcycle diaries.
Walter Salles filmed his acclaimed and quietly powerful movie
Central Station prior to this film. The tone of salt-of-the-
earth life, and a strange sense of time ruthlessly moving forward that
permeated that film is stronger in this fascinating road movie. The
brutal weather is unforgiving, and Granado, to avoid starving, often
has to use his wily wits to get women to purchase some food for them.
Some of the mountainous landmarks they encounter are beautiful and
inspiring, but the men press on with their travels. The injustices
they witness of oppressed indigenous folks stops Che in his tracks; he
processes . . . how he's going to make it stop someday soon. Actor
Gael Garcia Bernal may look like a GQ model, but he comes from acting
parents and seems to empathetically channel how Che silently but fully
absorbs another person's pain. Rodrigo De la Serna generously plays
Granado's witty, sassy mouthed friend; he fibs with great aplomb and
tries to keep heavy situations light. Though for some, he cannot
overcome the gravity of the injustices. This is a strong film
that might not feel like the seamless, superb masterpiece that some
have proclaimed it to be. While the scenes soak up each moment, I
sometimes didn't feel like I knew where they were travelling. And I
have to admit that I found the people's stories so interesting, I
wanted to hear more - which very well could have been the filmmakers'
intent. This can account for an emotionally fragmented resonance in
this road movie.
Still, it's hard not to be touched by the
deep sense of justice and compassion Che feels for humanity. And his
intuition with all kinds of people is heartwarming. One of the most
touching scenes is when they come into contact with people suffering
from leprosy. When the events of this film took place in the 1950s, it
was understood that a simple handshake would not transmit the disease.
But the nuns taking care of the people with leprosy demanded that they
wear gloves. The young men refused and heartily shook hands with the
surprised afflicted, which inspired the nuns and other medical folks
to separate the disease from the person. After watching this award
winning film, it makes me want to discover more about this driven
revolutionary.
The Video: How Does The Disc Look?
This film is presented in its theatrical 1.85:1
widescreen ratio in anamorphic video. Despite their low budget, Salles
and cinematographer Eric Gautier captured the dominating exterior
shots very well. Most scenes are slightly more saturated than others
given the varying weather conditions, making this realistic endeavor
look fresh. When the sun is out, the greens are vibrant and varied,
the blue sky is rich with the white dappled clouds, and other primary
colors are strong and well defined. Solid lighting reveals finer
textures of clothing variations, soil and skin definition. And when it
rains somber shades of grays wash out the colors to an extent. Blacks
are deep and pure most of the time, as one will notice nice gray scale
gradations into the widescreen bars. Sometimes there is some fading,
and that usually happens during the notoriously grainy night scenes.
Otherwise, grain is very tight, consistent and very pleasingly film-
like. Whites are well managed, too, and often look crisp in good
lighting. Otherwise, whites can be a tad dull, for instance during
some rainy sequences. I noticed the faintest edge halos against a few
hard, curved lines, but for the most part, there are no other
compression problems. Thankfully, the print has been kept quite clean
and there are no noticeable blemishes. This is a strong transfer.
The Audio: How Does The Disc Sound?
The
audio is presented in 5.1 Dolby Digital. This pleasant mix might not
be a knock out, but delivers quite well. The fronts display a nice
soundstage with some surprising imaging at times. Dialogue is fairly
clear. The .1 LFE is active on occasion and provides a strong
foundation for the rest of the mix, though it doesn't ever reach
stunning punches as one might expect. The surrounds are often active
and are well balanced with the front channels; with a broad frequency
range they provide a nice enveloping atmosphere. The score typically
brings the best out of all the speakers. Surrounds didn't seem
discreet at first, though a few effects, such as a birdcall, proved
otherwise. This is a respectable mix that shouldn't draw any
complaints.
A Spanish 5.1 Dolby Digital mix is included.
English closed captions, and English and French subtitles are
included.
Supplements: What Goodies Are There?
There are three Deleted Scenes. The
first one (4:00) has the guys doing some extra work for some people to
try to get some wine and ends with a bit of comedy. The second scene
(3:12) has the men talking about birthdays with a truck driver that
gives them a ride. The third deleted scene has Che talking with
villagers with leprosy (1:10). I liked this scene, in particular, and
thought it should have been left in the film; it gave the villagers a
voice and a clear interest to communicate.
The next supplement
is a featurette called A Conversation with Alberto
Granado (3:20); the real man reminisces about his times, and
it's great to see him as vibrant as ever.
The third bonus is
The Making of The Motorcycle Diaries (22:02). Sadly,
more than half of this featurette is simply composed of clips of the
film. Still, one gets some behind the scenes footage, and lots of
interviews with the director and other film producers including Robert
Redford. Talk of Che dominates, rather than the process of making the
film. Here the director terms the film "A love story to Latin
America."
A Moment with Gael Garcia Bernal
(2:54) interviews the star and his thoughts about the film and his
role. A nice interview.
"Toma Uno" ("Take One") with
Gael Garcia Bernal (2:19) is another interview with the
young star and how he prepared himself for the role.
Music of the Road: Interview with the composer, Gustavo
Santaolalla (3:13) interviews the film's composer; he really
enjoyed the process of the film and wrote the music before even seeing
it. He even played most of the instruments himself. An interesting and
endearing interview with someone who really believed in this project.
Last are Cast and Crew Biographies, which
include a bit more biographical information than expected.
Exclusive DVD-ROM Features: What happens when you pop the
disc into your PC?
No DVD-Rom features are included
on this DVD.
Final Thoughts
This
acclaimed road movie is a strong film that is quite an affecting bio
covering the early, developing stages of a revolutionist's emergence.
The adventure balanced with humanity works well. The picture is very
clear, the audio smooth, and some interesting supplements round out a
good release. The near-$30 price tag is a bit steep, but otherwise,
this is a recommended rental.