Mr. 3000 is a pleasant film in a genre where pleasant
means you're not trying hard enough. The film has too little internal
momentum, ambling along on the strength of some well-realized baseball
scenes and the hope that star Bernie Mac will break loose with some
serious laughs. In fact, the film is so bland that the sentimental
scenes, the ones that seem so forced in a sports comedy, are the only
interesting ones in the movie.
It is 1995 and Stan Ross,
superstar first baseman for the Milwaukee Brewers, has just gotten his
3,000th hit, an achievement that guarantees the adulation of fans and
players. However, Ross is a world-class jerk who, throughout the
years, has alienated the press and his teammates. In fact, right after
getting his historic hit, with the Brewers in the middle of a pennant
chase, he retires to start a chain of Mr. 3000 stores. Seven years
later, on the eve of his induction into the Baseball Hall of Fame,
Ross learns that a statistical error has left him three hits shy of
3,000. So, craving Cooperstown enshrinement, he returns to the Brewers
at the age of 47 to try to get those final three hits.
Unfortunately for Stan, in the 21st-century Brewers clubhouse
athletes do Pilates and play baseball videogames. In a grand old game,
Ross is a grand old man. Also, he must contend with superstar super-
slugger T-Rex Pennebaker (ex-New England Patriot Brian White). Further
complicating matters is Mo (Angela Bassett), Ross's ex and a reporter
for ESPN. In what will be a surprise to no one, the self-centered
slugger will become a team player while struggling to win Mo back and
get those magic three hits. At least the lessons are pillowed with
light humor and Mac's smooth presence.
Mr. 3000 has
moments; in a youth-centric cinema environment, it's nice to see Mac
and Bassett, two forty-somethings, the center of a comedy. Director
Charles Stone III (Drumline) does well in the baseball
scenes, with shot composition and crane moves that are unique for
baseball movies. Off the field, he gives us one great shot; at a low
point, Stan sits at home watching the hosts of Fox Sports' "Best Damn
Sports Show Period" rip him apart. Then, using cinematic sleight-of-
hand, the hosts appear on his couch, literally getting into his head.
On the minus side, Stone can't conquer the easiest part of his
job: making the baseball scenes thrilling. A player going for his
3,000th hit in his final at-bat should have made the hairs on our
necks stand at attention. But he just can't convey the proper level of
excitement, and the undistinguished score by John Powell doesn't help.
And worse, the same exact play with the same exact outcome was the
climax of another baseball movie.
The supporting actors all
orbit Bernie Mac's rising star quite ably. But the problem is, at
this moment, Mac's star is too small. Films like last year's Bad
Santa and 2001's Ocean's Eleven fit his persona better.
Here, he's been handed a part that only marginally plays to his
strengths and he's not ready to topline a film that hinges on
sentiment and a hard-earned change of heart. It just isn't in Mac's
wheelhouse...yet. Despite that, he's still a kick to watch--a breezy
and welcome presence in a film that would be nothing without him. If
Mr. 3000 fails to herald Mac's arrival as a leading man, it
does confirm that, in his quest for cinema stardom, he's rounding
third and heading for home.
The Video: How Does The
Disc Look?
The film's theatrical aspect ratio of 1.85
is presented in anamorphic video. The result is extremely colorful
and pleasing. Between the black and white of the commercials and the
vibrant colors of the uniforms, the palette here is quite wide. And
it's all rendered beautifully, with full saturation. Detail is
excellent in close-ups, but can show insignificant softness in longer
shots. Black levels are thick and solid and shadow detail is top-
shelf. Flesh tones are generally fine, but some foreheads look a bit
hot in close-ups. In fact, this brings up the only flaw of the
transfer: a slightly processed look in certain sequences. Presumably
working from a pristine print, there is nary a speck to speak of. Edge
halos and mosquito noise were undetectable to my eye. Pretty pictures
from Buena Vista Home Video.
The Audio: How Does The
Disc Sound?
There are two 5.1 tracks on this DVD, one
in Dolby Digital and the other in DTS. While the DTS gets the overall
nod, the difference between the two is not particularly noteworthy.
Dynamic range is admirably wide. Both mixes take full advantage of the
stadium atmosphere to create some above-average envelopment. Dialogue
is mostly center-channeled, with the occasional line coming in from
the sides. Sound effects, including bat-on-ball sounds and the
whooshing of runners and baseballs, are good without showing off. The
score, which runs the gamut from orchestral to jazzy and bass driven,
is crystal clear. The surrounds come into play for crowd noise and
other obvious sports movie moments. Otherwise, it either stays quiet
or delivers light ambiance.
There is also a French Dolby 5.1,
because you know how much the French love baseball and Canada only has
one team. Subtitles are available in English, French and Spanish.
Supplements: What Goodies Are There?
A
breezy film needs a breezy set of supplements, and that's what Buena
Vistas has provided.
The Making of Mr.
3000 is a 15-minute featurette on the, um, making of
Mr. 3000. According to producer Maggie White, Denzel
Washington had seriously considered the role, but it needed too much
of a comedic sensibility. According to Angela Bassett, Washington
laughed heartily in agreement when she told him Bernie Mac got the
part. The featurette takes you from casting to baseball boot camp to
principle photography. There's also a section on how director Charles
Stone III used real ESPN and Fox Sports personalities to give the film
some legitimacy. It's not bad for a Making-Of piece, if only because
baseball fans love seeing baseball footage. There's lots of behind-
the-scene material and it all looks great.
Spring
Training: The Extras' Journey shows us how the baseball
extras were cast. Hundreds of athletes showed up for auditions, many
having just been released by major league teams. As the tryouts
continue, the casting director keeps us apprised of whom they've got
their eyes on. Finally, we see who was chosen and what they look like
in the finished film. The full-screen picture and all the behind-the-
scenes footage look terrif.
The three-minute Everybody
Loves Stan Ross treats the character as if he really exists.
Former major leaguers Gary Carter and Ozzie Smith and sportscasters
Tom Arnold and Tony Kornheiser weigh in on what a jerk Ross was during
his playing years. "He's not a team guy at all," says Hall of Fame
second baseman Ryne Sandberg. "I don't think it's going to work." Much
like this throwaway supplement.
In the film, the Stan Ross
saga is covered extensively by the major media and in Extended
Sequence, we see the complete version of some of these
scenes. The ESPN Sportscenter portion looks absolutely like a real
Sportscenter. The copy sounds authentic as does host Stuart Scott. It
even includes the news scroll at the bottom of the screen. After a Mr.
3000 Mini-Mall Commercial, we see Stan's appearance on the Tonight
Show with Jay Leno. Jay's intro sounds just like a normal Tonight Show
intro. Stan walks out, guest Carman Electra slides over and a real
interview begins. Of course, the interview is about as funny and
interesting as a real Tonight Show interview, but that's another
story.
Next are three non-noteworthy Deleted
Scenes. They can be watched with or without director's
commentary. Most interesting to DVD lovers of a certain age is the EA
Sports commercial starring T-Rex Pennebaker, Ross' homerun slugging
teammate. All the scenes are full-frame, but look above average.
There are three minutes of outtakes, which should
have been funnier, considering most of them involve Bernie Mac. All
the scenes are full-frame and look good. However, the background
music is a smidge too loud, which makes the production audio
occasionally hard to understand.
Finally, there is an
audio commentary by director Charles Stone III. After
a verbal disclaimer that his opinions are not the opinions of the
studio (what lawyer asked him to say that?), Stone explains some of
his decision-making. He even explains some of the African-American
slang and its double meaning in the context of the movie. He discusses
the problems inherent in shooting in stadiums with 10,000 extras and
the relationship between him and Bernie Mac. Stone is conversational
and seems to be enjoying himself. Even if the information disseminated
is not all that interesting, it's a nice commentary.
Exclusive DVD-ROM Features: What happens when you pop the
disc into your PC?
There are no DVD-ROM features on
this DVD.
Final Thoughts
There's
nothing like releasing a baseball movie five days before the media-
devouring Super Bowl and two full months before baseball season
begins. Ignoring whoever made that decision, Mr. 3000 scores
points for being pleasant enough, but loses points for not being funny
enough. Bernie Mac doesn't seem quite ready to open a film, but he's
an enjoyable presence and Mr. 3000 would be nothing without
him. As for the DVD, the video transfer is surprisingly good, and the
supplements are weekend-rental nice. For those who know and love
baseball, let's just say that Mr. 3000 is a well-meaning film
that barely makes it over the Mendoza Line.