I'm always the guy in my group of film snobs who stands up for the
SNL movies. From Wayne's World to Tommy Boy and back again, these
pictures may not be artistically legitimate, but I don't think they
are all that bad. However, Adam Sandler, the master of the
the sub-comedy genre, has been slipping lately. Mr. Deeds was
embarrassingly bad and his animated Eight Crazy Nights was
unwatchable. But his real sin is 50 First Dates, a project ripe to
return Sandler back to the top of the romantic screwball comedy genre,
yet it is arguably his most disappointing picture to date.
Reuniting with Drew Barrymore from his most popular crossover hit,
The Wedding Singer, 50 First Dates should have been chock-full of cute
banter, lovey-dovey silliness and Hawaiian-themed tomfoolery. Instead,
we get a movie that literally grinds to a halt six or seven times over
the course of its 99 minute running time. We don't meet Drew until a
surprising long way in, and her mental "condition" (in which
she loses her short-term memory and lives the same day over and over
again - call it Groundhog Day in Paradise) is presented with a
complete lack of explanation. From the get-go, nothing feels right
with the film. There are more miscalculations. Sandler as a
marine mammal veterinarian? Yeah, it's a stretch, but for the purposes
of this film it's not a completely ridiculous claim. Sean Astin as the
self-obsessed muscle jock looking to woo any woman who will give him
the time of day? Again, this isn't completely far-fetched, but his
caricature is never granted any kind of payoff.
The only
things that really pop through in 50 First Dates are a smattering of
supporting players. Rob Schneider, responsible for one of the most
odious SNL-esque stinkers of the last twenty years, The Animal, gives
his resilient sidekick character here a ludicrously bizarre spin.
Sure, some of the stuff he's forced to do is painfully unfunny, but
the short shot of him doing a ritual Hawaiian dance covered in giant
leaves on the beach is priceless. 
There are a few other plusses
in 50 First Dates even if as a whole it is a failure. The picturesque
cinematography is striking, and at the very least provides a minimal
respite from the cringe-worthy lunacy at the film's core. But even as
a diehard Sandler fan and that guy who will stand up and earnestly
defend pictures like Black Sheep to anyone who will listen, the
thinness of this film's premise and execution is inescapable.
Video: How Does The Disc Look?
Fantastic! The 2.40:1
anamorphic widescreen presentation here is super. Color reproduction
is astounding, boosted by excellent blacks and perfect contrast.
Fleshtones are also very warm and natural, and make Drew look great.
The print is also pristine, offering superb detail and a very three-
dimensional appearance that is just about reference quality. Edge
enhancement is also0 kept to a minimum and haloing is all but
nonexistent. Nice job, guys!
Audio: How Does The Disc
Sound? 
The 5.1 Dolby surround mix isn't quite as impressive
as the transfer, but it is pretty good nonetheless. Dialogue sounds
gloriously clean, and atmospherics and effects are presented with nice
clarity. Channel separation, especially across the surrounds, is quite
good for a comedy. The .1 LFE is also strong and tight. Unfortunately,
the score comes in unbearably loud which is a drag, but that's the
only major flaw in an otherwise nice soundtrack.
Also included
is a French 5.1 Dolby dub, plus English and French subtitles and
English Closed Captions.
Supplements: What Goodies Are
There? 
The Peter Segal and Drew Barrymore screen-specific audio
commentary here is kind of a bust. It's interesting
to hear Barrymore describe her work, and Segal obviously knows his
beans about films like this, but most of the banter here is dull and
repetitive. The highlight is Barrymore recommending her listeners to
read Tom Robbins' Still Life With Woodpecker, one of this writer's
favorite novels.(Editor: Pretty sad!)
Next up are
three featurettes: the 20-minute "The Dating
Scene," plus the short 5-minute "Talkin' Pidgin" and an
excerpt from Comedy Central's "Reel Comedy" that runs 25
minutes. "Reel" is the best thing here, but along with
"Pidgin's" discussion of Hawaiian slang and the relatively
in-depth nature to "Dating Scene," these making-of docs
ain't too bad at all. Then we have a 7-minute blooper
reel and 5 minutes of deleted scenes with
optional commentary by Segal, neither of which are hysterically funny
or revealing, but worth a chuckle or two.
Rounding it out is a 30-
second TV Spot for Adam Sandler's new album, as well
as three music videos (all covers - Wayne Wonder's
"Hold Me Now," and 311's live version of "Amber"
and cover of The Cure's "Love Song"), filmographies
for Segal, writer George Wing, Sandler, Barrymore, Schneider,
Astin and Dan Aykroyd, and theatrical trailers for 50
First Dates, Spider-Man 2, Hellboy, 13 Going on 30, Secret Window,
White Chicks, The Company, Anger Management, Charlie's Angels: Full
Throttle, Big Daddy, Punch-Drunk Love, Mr. Deeds, Adam Sandler's Eight
Crazy Nights and the upcoming "Seinfeld" DVD release. Hmmmm.

DVD-ROM Exclusives: What do you get when you pop the disc in
your PC?
There are no ROM extras on the disc.
Parting Thoughts
A decidedly mediocre film, 50 First
Dates nevertheless gets a killer DVD transfer, and a soundtrack that
is pretty good, too. Although the supplements are not amazing but
still fun, given the relatively inexpensive list price you are
definitely getting your money's worth. But beware the film itself: for
Sandler and Barrymore fans it is worth a rental, all others proceed
with caution...