A most curious biopic, Wonderland does the impossible: it makes
John C. Holmes the guest star of his own movie. Holmes, aka porn
legend Johnny Wadd, was one of the most flamboyant and memorable among
the porn industry's long list of casualties, and certainly never
failed to make a strong impression. But you wouldn't know that from
James Cox's funhouse mirror of a movie, which looks at Holmes from so
many angles that it ends up telling us absolutely nothing about the
man. He comes across as a bland cipher, a lost soul virtually
invisible in a plot so needlessly convoluted and conflicted it feels
like a 104-minute trailer. Which is a shame, for this could have been
the movie Boogie Nights dreamed of being.
The facts of what
happened on Wonderland Avenue on July 1, 1981 are on the books but
still in dispute. Police responded to a distress call and discovered a
grisly quadruple homicide: Ron Launius (Josh Lucas), Billy Deverell
(Tim Blake Nelson), Barbara Richardson (Natasha Gregson-Wagner) and
Joy Miller (Janeane Garofalo) all brutally murdered, and Launius's
wife, Susan (Christina Applegate) left in critical condition after
being bludgeoned. The investigation that followed would peel back the
thin veneer of the 70's porn world, with Holmes (Val Kilmer) the star
witness. But despite his teenage mistress Dawn Schiller (Kate
Bosworth) and estranged wife Sharon (Lisa Kudrow) by his side and an
eventual acquittal, Holmes would never recover, descending even
further into a hell of drug addiction and self-hatred. His was the
first and still most vivid example of porn excess, which eventually
culminated in his death from AIDS-related complications on March 13,
1988. Cox, whose only previous film that I can recall was the
dreadful Highway (2001), here again misfires. His conceit is to tell
the Wonderland story from two perspectives, first that of David Lind
(Dylan McDermott), who masterminded the raid on local crime boss Eddie
Nash (Eric Bogosian) which led to the murders, and then that of
Holmes. But since Holmes was an admitted and compulsive liar, and his
subsequent testimony suspect at best, his story never adds up. And
Lind's version is just as self-serving and dubious. So Cox's Rashomon-
style retelling pays no dividends. Worse, it takes the normally
capable Kilmer and gives him nothing to play.
What is most
disappointing about Wonderland is that it squanders its star and we
learn nothing about Holmes. His was a fascinating life, despite
whatever one thinks of his chosen profession. But Cox never helps
Kilmer capture the essence of the man - his fears, his insecurities,
his relentless bravado. Kilmer comes across as too smart, too crafty;
watch the Holmes footage in the included documentary on this DVD, and
one never feels like this is even close to the same person, bad afro
aside. And the supporting cast, who are uniformly excellent -
Bosworth, Lucas and Kudrow particularly shine - have no choice but to
try and create whatever believable moments they can with a script that
is more interested in police procedural than human drama. And Cox's
visual style is also ingratiating, stealing every trick in the book
from Paul Thomas Anderson's flawed but still superior Boogie Nights:
the endless zoom shots, overdone montages and split-screen effects are
showy but have no depth. It may be a valiant attempt on Cox's part to
give the film energy, but it can't save a lacking script. Wonderland
feels like a Law & Order episode with a 14-inch dick.

Video: How Does The Disc Look?
Wonderland is one of
those films that tries oh-so-very-hard to look gritty and
"real" but only comes across as artificial. The lighting is
jacked up and contrast overblown. Fake grain and deterioration is
applied to the source materials in an attempt to make them appear more
authentic. Colors are overpumped and highly stylized. But even if it
is aesthetically suspect, it sure makes for a snappy-looking DVD.
Whatever the case may be, this 1.85:1 anamorphic widescreen
transfer is mighty nice. The print is in great shape despite its
intentionally rough passages. Blacks and contrast are excellent even
when stylized. Colors are vivid and clean (noise is surprisingly not a
problem) and fleshtones accurate. There is no apparent edge
enhancement, which delivers strong detail (only the high contrast
sometimes makes the film appear too dark and shadow delineation a bit
murky). Given the overdone visual style, this transfer looks far
better than I thought it would.
Audio: How Does The Disc
Sound? 
Sporting a Dolby Digital 5.1 surround track, this is
a solid if not exceptional mix. The sound design is surprisingly
front-heavy - frequency response is very good and stereo separation
sharp, but the lack of aggressive surrounds is a disappointment. The
track never sounds particularly enveloping, with only some minor
discrete effects and some pop score bleed. Low bass is nice and kicky,
but it can't totally enliven a technically fine if uninspired mix.
Perfectly fine, just not great.
Also included is a Dolby
Digital 2.0 surround option, plus English and Spanish subtitles and
English Closed Captions.
Supplements: What Goodies Are
There? 
First up we have a screen-specific audio
commentary with director James Cox and co-
screenwriter Captain Mauzner. I found it to be a lot like the film -
smart but ultimately aimless. Both Cox (who dominates) and Mauzner are
intelligent guys and keep the pace fairly snappy, but it is mostly
bland talk of what is happening onscreen and how it developed. And
again, it is all about the crime and the facts, which is just not as
interesting as the real Holmes. Too bad the commentary, like the
movie, lacks focus and bite.
Up next we have seven deleted
scenes, all presented in non-anamorphic widescreen. Running
less than ten minutes, these snippets are perfectly fine but, like
most deleted footage, wisely excised. We learn nothing particularly
extraordinary, so only true fans will want to watch these. There is
also a collection of four interviews with cast
members Kilmer, Lucas, Bogosian and Tim Blake Nelson. Unfortunately,
each runs less than 2 minutes and the short length prevents anyone
from imparting anything of real depth or insight. Something more
substantial would have been nice.
Next up are three true crime-
related supplements. The 6-miinute Court TV special Hollywood
at Large is really a making-of EPK, featuring glossy cast and
crew interviews, plus comments from real-life Holmes mistress Dawn
Schiller, the LAPD, and archival footage. This is a fairly good if
ultra-quick special, which doesn't offer much that we didn't already
learn from the movie. The 24-minute LAPD Crime Scene
Video is extremely ugly and depressing - if you don't want to
see the actual walk-through of the massacre (yes, you see blood-
splattered dead bodies and brain matter on the floor) by all means do
not watch this. How they got this clearance for this footage I'll
never know, and never will I think of the phrase "Takes you
Beyond the Movie" the same way again. Rounding out the treats is
a still gallery with only 15 production stills, which
are luckily far less bloody save for a couple of shots of the film's
restaging of the massacre.
Also included on the disc are some
theatrical trailers, including one for Wonderland, accessible if you
click on the Lion's Gate logo on the main menu.
Now, the best
extra is also the only one that wasn't produced in conjunction with
the movie - the 100-minute documentary Wadd: The Life and
Times of John C. Holmes, produced and directed by Cass Paley.
This is only available on this set's second disc, which apparently is
going to be a limited edition, although Lion's Gate has yet to reveal
just how long this will remain on the shelves and in what quantities.
In any case, while cheaply made, Wadd is almost worth the price of
admission alone. It is certainly far more insightful and fascinating
than Wonderland, which tells us little about Holmes. So just skip the
movie and watch this - it features news interviews with some of the
leading players in the 70's porn industry, including Bob Chinn, Misty
Dawn, Al Goldstein, Ron Jeremy, Ilona Staller, Candida Royal and
Holmes' first wife Sharon, plus filmmaker Paul Thomas Anderson and
Larry Flynt, and archival footage of Holmes. It is by turns hilarious
and heartbreaking, and has all the drama and pathos the movie lacks.
Another case of the true story behind the film failing to translate to
the big screen.
DVD-ROM Exclusives: What do you get when you pop
the disc in your PC?
There are no ROM extras on the disc.
Parting Thoughts
Wonderland did not work for me
as a film, but I can't say it is not a fine DVD. Great transfer, a
decent soundtrack and fairly good extras (especially the documentary
Wadd) means this is an easy recommend for fans of the film. But for
the uninitiated, give it a rent first.