It's the mid-'80s. Return of the Jedi has been released with great
box office success. George Lucas proclaims that he's had enough of the
Star Wars universe and tries to capture lightning in a bottle
elsewhere. The Indiana Jones films certainly qualify, but other
adventures, like Howard the Duck, are less than... stellar. One
experiment is a cooperative venture among Lucas, Jim Henson,
Lucasfilm, and Columbia Pictures, a fanciful fantasy in a tone similar
to Henson's The Dark Crystal of three years earlier, a film entitled
Labyrinth.
Sarah (Jennifer Connelly) is an attractive teenager
who, quite inexplicably, is not dating. She spends her time lost in
self-indulgent reading and fantasizing, frequently submerged in her
room full of stuffed animals. She seems spoiled and resentful when her
father and stepmother (Christopher Malcolm and Shelley Thompson) ask
her to baby-sit her infant half-brother, Toby (Toby Froud), as they
prepare for a Saturday night outing. Sarah is, in fact, so provoked by
the child's crying, that she voices a fantasy wish that just happens
to be the right combination of words. The child is taken by goblins.
Panicked, she's confronted by Jareth (David Bowie), the Goblin King.
When she insists that she wants her brother back, he gives her
thirteen hours to navigate a labyrinth; at the center of his
diabolical maze is his castle, and there she may reclaim her brother.
If she fails, Jareth will keep him. On her way, Sarah meets
many whimsical and bizarre creatures, some of which help and some of
which sabotage her quest. Ultimately, she finds three allies: Hoggle,
a dwarf with mixed loyalties who enjoys knocking fairies out of the
sky with a spray of insecticide; Ludo, a gentle monster with horns and
long red fur; and Sir Didymus, a noble fox whose trusty mount is a
sheepdog. Together, they fight and outfox (no pun intended) their way
to Jareth's lair.
Children will enjoy the fantasy. Older
members of the audience will appreciate Monty Python's Terry Jones'
wit - he wrote the screenplay - and Sarah's journey, challenging
herself, befriending unlikely allies, and growing emotionally.
Jennifer Connelly was only fifteen when she made this movie and we can
already perceive a developing talent that will ultimately earn an
Academy Award. But the film does have an annoying flaw. The filmmakers
chose to insert several musical numbers that stop the action dead in
its tracks. I assume that Bowie's participation inspired the inclusion
of the songs; he did, after all, write them. The film would have been
better served if the music had been omitted and the Jareth character
made a more compelling threat. The Goblin King is a hollow
villain.
Video: How Does The Disc Look?
Columbia
TriStar Home Entertainment originally released this film on DVD on
October 11, 1999, then a Superbit release, which used the same master
as this third version. Presented in the film's original theatrical
aspect ratio of 2.35:1, it appears similar in quality to The Dark
Crystal, also recently released the same day as this disc. But since
this version drops the DTS track and there aren't all that many
extras, the bit rate for the video is not all that diminished. Edge
halos are present but are rarely seen and never intrude. Small object
detail and textures are first-rate. Color accuracy based on flesh
tones is very good. Bright colors are vivid and are devoid of chroma
noise and smearing. Shadow detail is excellent. I noticed no
compression artifacts. This is another fine film-like presentation
that is so revealing that the optical special effect matte lines leap
out at you.
Audio: How Does The Disc Sound?
Instead of just doing a single "Superbit Deluxe" release,
Columbia has opted to release the previous Superbit and this new
Collector's Edition six months apart. Gone is the DTS track, with only
a Dolby Digital 5.1 option. new collector's edition is a single-disc
set that drops the DTS track on the previous Superbit. Like The Dark
Crystal, very deep bass is absent, but the top end is a bit better
here. There is more bass apparent in the music than in the sound
effects. Trevor Jones score is spacious but still lacks outstanding
fidelity. Dynamic range is compressed, resulting in an unfortunate
loss of sonic impact. The voices were overwhelmingly looped, so dialog
remains extremely clear throughout. There remains a veil over the
sound, a subtle haze or distortion that robs the audio of extreme
clarity.
The audio is supported by subtitles in Spanish and
English, for which Closed Captions are also included.
Supplements: What Goodies Are There?
Like the
original DVD release, this new Collector's Edition also includes the
televised documentary Inside the Labyrinth in it's
entirety. It's an excellent show, and a great look into the making of
the film with plenty of interviews and behind the scenes footage with
all of the major cast and crew, including the late Jim Henson. There
is also a single low quality, full frame trailer for the film, one for
'The Dark Crystal' and a Video Commercial for Jim Henson's 'The
Storyteller' series. However, where is the additional footage that so
well supported the film from the A/V press kit? There was so much more
that wasn't covered in "Inside the Labyrinth," and given the
fact that this is the third time the film has been released by
Columbia - the original studio that distributed the film theatrically
- this is clearly a missed opportunity. In addition, there was a
terrific music video of the Bowie song "Underground" that
featured original footage shot on the set with the characters from the
film. If my memory serves, this video also featured original sequences
of cartoon animation that is unlike anything in the film and is
outstanding.
As for imagery, there was a book published
called "Goblins Of The Labyrinth" that featured the designs
for the characters in the film by Brian Froud, but none of it appeared
on the previous DVDs, nor did any of the interesting poster concepts
for the film. This new edition rectifies that to some degree -
included is an Image Gallery totaling a hundred
stills, including conceptual art, sketches, publicity photos,
storyboards and posters. However, like the gallery that appeared on
The Dark Crystal, it really isn't enough for this type of film. There
seems to be a world of material that could have been included, and its
presentation is too ho-hum - no explanatory text, just a succession of
images. Also included in the package proper - a deluxe book-like
keepcase - are six physical card reproductions of
Fround's illustrations, plus a nice 12-page color
booklet and a special Scene Composite
reproduction card.
Rounding it are standard
filmographies and theatrical
trailers for Labyrinth and The Dark Crystal.
DVD-ROM Exclusives: What do you get when you pop the disc in
your PC?
No ROM extras have been included.
Parting Thoughts
A rather uninspired, needless
reissue, Labyrinth follows The Dark Crystal as another Columbia
TriStar and Henson teamup that offers little in the way of compelling
new content. The obvious approach would have been to just do a two-
disc set complete with Dolby Digital and DTS tracks and all the
extras. Instead, we have separate so-called Superbit and Collector's
Editions that will satisfy no one. And which is another sign that
these days, Columbia seems more interested in repackaging and
reselling than in providing products of consistent quality, especially
given this set's far too expensive $49.95 list price.