You have to wonder whether Martin Brest is just a little bit
excited about the unintentional success of Gigli, which is now one of
the most mocked movies in cinema history. After all, odds are that you
probably have never seen Gigli, and don't want to, yet you know what
it is. Even if you never saw a single movie in 2003, you know all
about this J. Lo and Ben Ass-lick disaster - the media made sure of
that. So, is it really that bad?
Gigli is one of those
gigantic box-office stinkers that is both gloriously awful and nowhere
near as bad as the press made it out to be. Like Ishtar or Showgirls
(ah, Showgirls!), Gigli is a movie that everybody heard about and
nobody saw: It's easy to throw stones at the "Bennifer"
juggernaut that the National Enquirer put into overdrive when pre-
Gigli fever hit fever pitch last year, but those lobbying bricks only
cared about hitting their target, not why. It makes me think of my
favorite quote by John Lennon about Yoko Ono: "She's the most
dangerous kind of entertainer in the world - everybody knows who she
is, but nobody knows what she does." Don't get me wrong,
though. Gigli is awful - really and truly misguided in almost every
way - and one wonders at how Brest got actors like Al Pacino and
Christopher Walken to take part in a movie that contains some of the
most ludicrously unbelievable (and stilted) dialogue ever to hit the
silver screen. (My guess is that they all said "Yes!" before
reading the script), and why on Earth Revolution Studios and Columbia
dropped a reported $60 million on such a weak concept. (Whomever
greenlit this movie deserves to be bitch-slapped).
Yet
despite the fact that Gigli has many a horrific scene doesn't mean
that it is not at least moderately engrossing, as if it were a
beautiful Georgia peach that so long ago rotted that the worms that
teem from it are a brilliant shade of sour. To give it some props, it
is competently photograph and the production design nice enough if
banal. (Ben Affleck lives in what has to be the dullest-looking
apartment in Los Angeles.) More surprising is that there is very
little on-screen chemistry between Ben and Jennifer. (You know what
they say - if you have stars who fall in love off-camera, their on-
camera interaction will be dead on arrival.) Their banter is
contrived, and already some has been entered into the camp hall of
fame. Quote: as Jennifer seduces Ben, she utters the infamous line
"It's turkey time - gobble gobble. Lay some of that hetero-lingus
on me!" Eeek! 
Yes, Gigli is bad. Real bad. But I dare
those who have branded the movie with a scarlet letter for being
"the worst movie ever" (it certainly is not) to deny that it
wasn't really worth all the fuss. Its biggest crime is that it is
insignificant. So leave it to the Hollywood PR machine to make a mere
waste of time generates far more ink than it should have. Its star
power and production values make it look on the surface like a Rolls-
Royce, but this star vehicle should be up on cinder blocks on the
front yard of an RV park. Gobble gobble.
Video: How Does
The Disc Look?
Rejoice, all ye Gigli lovers: This 2.40:1
anamorphic widescreen presentation is top-notch. Black levels are
spot-on, detail ample and the film's rather icky beige color scheme
sharply rendered and consistent. Shadow delineation and contrast are
also very, very good, with fine textures visible and little in the way
of edge enhancement. Of course, it all begs the question - did Gigli
even deserve a DVD release at all? But this transfer is pretty
terrific, whether or not anyone will care.
Also included is a
4:3 pan & scan version on the flipside of the disc.

Audio: How Does The Disc Sound?
Just as sharp as the
transfer. Again, the sound design is purposefully bland, so this one
won't make much use out of your super-expensive 5.1 rig, but it is
still impressive. Frequency response is excellent, with full highs and
deep lows. Dialogue is masterfully recorded and reproduced, with
distinct stereo separation across the front channels and the surrounds
can be involving when they want to be. And even though the film's
score is tremendously bad, it comes through wonderfully. Even the .1
LFE channel gets a mild workout. Who would have thought?
Also
included is a French 5.1 Dolby Surround track, plus English, French,
Chinese, Korean and Thai subtitles and English Closed Captions.
Supplements: What Goodies Are There?
What a surprise! All
we get is a theatrical trailer in 1.85:1 anamorphic widescreen, as
well as additional previews for another J.Lo atrocity, Anaconda, plus
Maid in Manhattan and the Bennifer-less Mona Lisa Smile.
DVD-ROM
Exclusives: What do you get when you pop the disc in your PC?
There are no ROM extras on the disc.
Parting
Thoughts
Gigli is bad - really bad - but not quite as
terrible as camp lovers might hope. I'm proud to have been one of the
brave who made it to the multiplex to actually see this when it limped
its way in and out of theaters this summer in less than two weeks. And
for you select few who would actually want to own this disaster on
DVD, the $26.95 price tag is a little steep for no extras, although
the transfer and soundtrack are as good as one could hope. Good luck.