During Saturday Night Live's first season in '75-'76, Jim Henson
and his band of muppeteers created short segments featuring a droll
ensemble of grotesqueries. Perhaps a departure from the G-rated
characters that inhabited Sesame Street was a welcome diversion for
them. Six years later, Henson and crew created an even more oddly
imaginative cast of characters who lived long ago, on a planet far,
far away. It was a planet divided by the forces of The Dark
Crystal.
Lest you think that I'm about to suggest Star Wars
parallels, allow me to immediately steer us toward Lord of the Rings.
The cleaving of a metaphysical crystal, freeing a precious shard, has
shattered the balance between good and evil. The evil Skeksis
dominate; they hold the crystal and use it as a means to artificially
extend their life spans, yet there remains only ten of them. The
gentle Mystics, peaceful, spiritual, and also reduced to a mere ten
survivors of their kind, await the fulfillment of a prophecy that has
a small waif-like Gelfling restoring the crystal and the balance
between good and evil. Their planet orbits a trinary star system, and
if a very rare convergence of the three suns occurs without first
making the crystal whole, the Skeksis will become immortal and evil
will dominate for all time. Jen may be the last of the
Gelflings; the Skeksis have slaughtered his kind. He had been adopted
by the Mystics and raised under their protection. When Jen's master
and mentor lies on his deathbed, the Mystic finally reveals what he
must do. Jen accepts the quest and armed only with his wits and
determination, faces a myriad of odd and sometime deadly creatures and
dangerous terrain to recover the shard and restore the dark
crystal.
This is a wonderfully imaginative film. The Henson
creature shop has conjured up a delightful menagerie of whimsical
characters, plants, and animals. While the plot may be derivative, the
creativity and execution are simply delightful. You may find the
rotoscoping and matte lines a bit distracting; we've certainly become
spoiled by the sophistication of modern special effects. But this is a
good-natured film that tells an interesting tale in an inspired
world. 
Video: How Does The Disc Look?
Columbia
TriStar Home Entertainment originally released The Dark Crystal on DVD
in October 1999, then once again as a Superbit edition in February of
2003. Presented here again in 2.35:1 anamorphic widescreen as with the
previous two releases, this transfer appears to be minted from the
same remaster as the Superbit, which was not the same as the first
DVD. Overall the two are surprisingly comparable despite the slightly
reduced bit rate, largely because of the absence of the DTS track.
Edge halos are present but are rarely seen and never intrude. Small
object detail and textures are strong, so much so that it is fairly
clear when we're looking at a miniature - the folds and wrinkles of
Skeksis skin, withering after many years of artificial life extension,
are conveyed in wonderful detail. I will assume that color accuracy is
very good, as I have no reference since I've never met any of the
creatures that inhabit this film. Bright colors are vividly painted to
the screen with no chroma noise or smearing. Shadow detail is very
good if a hair less than the Superbit. I noticed no compression
artifacts, only a very film-like presentation that is certain to
impress.
Audio: How Does The Disc Sound? 
Gone is
the DTS track from the Superbit release; the Dolby Digital 5.1 track
definitely shows signs of its age in terms of fidelity. You won't hear
any of the highest highs or the lowest of the lows. In fact, even
though the .1 LFE channel was activated, I had serious reservations
about if it was truly being used at all. Dialog, which is obviously
entirely ADR, sounds smooth without distortion. The music score by
Trevor Jones sounds wonderful. The most impressive part of this
soundtrack is how directional all the effects are. Early, in chapter
4, you'll hear Jen playing his flute with the sound of a waterfall on
the left and a different water wheel on the right. This is pretty
standard throughout the whole mix. Surround use is infrequent and I
could never hear any instances of split activity. If I had to venture
a guess, I would say that this mix was derived from the original 70mm,
six-track magnetic soundtrack.
An English 2.0 surround and a
Spanish mono track are also included, along with English and Spanish
subtitles and English Closed Captions.
Supplements: What
Goodies Are There? 
For its third go-round, this Collector's
Edition of The Dark Crystal is a mix of goodies new and old.
First, the new. The packaging replicates a hardbound book (if
considerably cheaper), and contains a nice liner
essay from Cheryl Henson, the late Jim Henson's
daughter, a collectible (and very small, measuring an inch across)
film cell, and a reproduction of Henson's
notebook, containing all of his detailed scribblings
done during shooting. It is a nice-looking little box, although given
the $49.95 list price, I did expect something a little more
extravagant.
There is also a trio of new text-based extras, but
they are disappointing. We get Henson's original Mithra
Treatment, which is fine, but the Character
Illustrations gallery is only ten stills, set up to repeat ad
nauseam, which feels like a cheat, as does the
Storyboard gallery, which is also only 15 stills to
infinity. These seem like an afterthought designed to milk yet more
money out of fans; the are presented in a very basic fashion and there
is no explanatory text provided.
The rest of the supplements
are all old. Dropped from the first special edition release is the
isolated score, which is an unfortunate omission, although if you are
not a soundtrack collector, you may not miss it. Otherwise, all of the
other extras have been carried over. Most impressive is the 60-minute
documentary The World of The Dark Crystal, originally produced
in 1982. This is a very engaging look into the beginning of the
project and the evolution to get it on screen. We are given looks at
the creation of the world from conceptual drawings to the fabrication
of the puppets and then the behind-the-scenes footage of how shots
were created. Interviews with the late Jim Henson give an insight into
the decisions that had to be made that would effect the realism and
authentic feel given to the final film. One weird thing about the
documentary is whenever actual film footage is shown, the sound goes
out-of-phase and emanates from the surround channels. I don't think
this is a fault of the disc, but rather how the original was recorded.
In addition are a collection of original language
scenes providing an alternate take on some of the dialog in the
film with what was actually spoken on set by the puppeteers. Listening
to Aughra sound like a mix between Grover and Yoda almost makes this
disc worth it all by itself. Subtitling is provided with the dialog as
spoken in the final film. There is also the famed deleted Skeksis
funeral scene provided from a source that is really
worn, just as would be expected from a workprint.
Two of the
sections of the disc are geared toward text. The first section is the
character profiles and drawings for the Skeksis and Mystics.
The second are talent files for the co-directors, Jim Henson
and Frank Oz, and the conceptual artist, Brian Froud. To be honest, I
found these talent files to be a bit slim. A bevy of theatrical
trailers rounds it out: the teaser trailer for Dark Crystal, both
the American and European full trailers, one for Labyrinth and a short
trailer/commercial for the upcoming Henson Films production of The
Storyteller. All of the Dark Crystal trailers are pretty old and warn
and were probably from someone's private collection.
DVD-
ROM Exclusives: What do you get when you pop the disc in your
PC?
No ROM extras have been included.
Parting
Thoughts
Did The Dark Crystal really need three DVD
releases? It is a disappointment that even the third time isn't the
charm - why wasn't this a two-disc set, with the movie on the first
disc, a la a Superbit, and all of the extras on the second? For $49.95
retail, even the packaging just doesn't quite cut it. This is a fine-
looking box, but not quite the event it should have been. For diehards
only.