Before he was the governor of California, he was just Arnold
Schwarzenegger, one-time Mr. Olypmia turned world-famous action
superstar. And his greatest role was arguably as The Terminator, James
Cameron's tech-noir cyborg intent on starting/preventing mass nuclear
annihilation. It was the perfect fit for Schwarzenegger's decidedly
unique persona: big, intimidating, limited to monosyllables and, as
befitting a future governor, one who knew how to get the job done. But
he was also a character of limited potential; that Cameron was able to
pull off Terminator 2 at all is one of those rarities in sequel-dom
that probably shouldn't be attempted twice - it successfully expanded
the original's universe, characters and themes and should have ended
the series on a high note. So who would have thought that almost 20
years later, all those still involved would be so desperate for one
last grab at screen immortality that they would send back yet again
another aging, once-shiny endoskeleton to try and wring yet more
profits out of a washed-up old franchise?
Rise of the Machines
is sequel-making at its most dull and uninspired. It recycles scenes,
situations and themes from its predecessors but with none of the same
spark and originality. That T3 goes for camp is clear from the opening
scenes. In true Terminator fashion, we meet the two cyborgs who will
again wage war over the future of mankind. Kristanna Loken is the T-X,
another new-model endoskeleton-thing who can shoot lasers out of her
hand and artificially pump up her breasts. And Arnold is back as the
same old T-Whatever, a rusty relic of armageddon complete with
wrinkles and a few extra ounces of flab. When Schwarzenegger makes his
big entrance at an all-male strip club - a reworking of the classic
barroom scene that opens T2 - it comes off as half-funny, half-sad.
Has a once-great sci-fi classic really de-morphed into this?
Yet as sorta-depressing as T3 can be, it is so big and overinflated
and desperate to please that it just may be the most expensive B-movie
ever made. Which makes it charming and fun in its own clunky way.
Director Jonathan Mostow, taking over for Cameron, goes full tilt in
staging his over-the-top action set pieces. The opening truck chase
through the streets of San Francisco is as slick, exciting and well-
executed an action spectacle as you are likely to see. And the
climatic dueling terminators bathroom brawl is also a corker, even if
it is a bit disturbing watching Arnie kick the shit out of a girl
(albeit one made of molten metal). That none of this mass destruction
really serves any purpose in the narrative is, at this point,
inconsequential. It is all chase and payoff - T3 has no reason to
exist other than because they wanted to make another sequel, so it is
our sheer familiarity with the Cameron-directed epics that fuels any
enjoyment we get out Rise of the Machines. It only thrills us, makes
us laugh or packs any emotional resonance - let alone makes sense -
because we are so in love with the first two that we'll take anything
we're given. T3 is its own artificial, collective memory bank of a
movie.
But what I missed most in T3 is the lack of a clear
theme. This might be the most expensive Hollywood movie to ever end on
such a downer. The original film's simple, linear narrative and
clearly defined rules of time travel (however much they required a
suspension of disbelief) are now long gone, replaced by so many u-
turns and about-faces that it is hard to care anymore about the course
of fate and all the metaphysical mumbo jumbo. I remember being
uplifted in the first two by the idea that, no matter how seemingly
insignificant and small, even one person can make a difference and
affect the course of history. All of that is washed away in T3. We
learn that everything we have done and can do is futile; Judgment Day
is inevitable, which makes T3 an emotional cul-de-sac. Why make a
movie that has no point, other than to set up another sequel? Idealism
has been replaced by irony, another symptom of camp excess. 
So
if all you are looking for is great action and Arnie in leather, no
matter how transparent a reflection of his former self, Rise of the
Machines may satisfy you. But if you are looking for a sequel free of
crass cynicism, look elsewhere.
Video: How Does The Disc
Look?
Terminator 3 sure looks great. Warner Home Video
gives you two options: 2.35:1 anamorphic widescreen and 4:3 pan &
scan versions, each available separately. You have to go with the
widescreen with this one. What a sharp transfer - deep blacks, great
colors, excellent contrast and a very pleasing sense of depth and
detail. A little less harsh than the previous two Terminator flicks,
Rise of the Machines is more balanced in terms of color, with less
steel blue and more rich oranges, reds and green and purple accents.
Reproduction is pure and free of bleeding, although I detected a
slight bit of noise. Depth and three-dimensionality to the image is
very good, with no apparent edge enhancement to muck it up. Excellent.
Audio: How Does The Disc Sound? 
Terminator 3
sounds just as good as it looks. Included is a very aggressive Dolby
Digital 5.1 surround track that is not EX encoded, nor is there any
DTS option provided. But this is one strong mix. Frequency response is
predictably excellent, with a very spacious midrange, clean highs and
very, very powerful low bass. The .1 LFE really gets a workout on all
of the mass destruction - this one will move the furniture around if
you crank it up. Surrounds are consistently engaged and often create a
near 360-degree soundfield. Imagine across all channels is near-
transparent and excellent use is made of discrete effects, including
vocals. Marco Beltrami's score is the only disappointment - it is not
integrated into the mix strong enough and lacks the clanking power of
Brad Fiedel's in the first two. Otherwise, a first-rate
soundtrack.
A French-Canadian dub is also included, along with
subtitles are available in English, French and Spanish and English
Closed Captions.
Supplements: What Goodies Are There?

He's back. After countless DVD editions of the first two Terminator
flicks, we now have this new two-disc Terminator 3 mega-set, which I'm
sure will only be the first in a series of re-issues. Imagine the
possibilities: The Gugernatorial Edition? The Tricked Out Election
Edition? T3 1/2: California Total Recall? Can't wait. Until then, this
fairly substantial package will have to do, although despite the
considerable bullet points on the back of the box, the included
supplements are pretty weak - a lot of fluff, too little meat and a
whole heaping helping of cheese.
First up on disc one are
probably the two most informative extras on the disc, the audio
commentaries with director Jonathan Mostow and cast
Arnold Schwarzenegger, Claire Danes, Nick Stahl and Kristanna Loken,
and a second solo track with Mostow. The helmer introduces the first
"group" track, which is an amalgam of the actors each
recorded in different cities and edited together. It actually isn't
bad at all, with the cast much more honest and forthright than they
are on all the fluffy video extras. It is positively surreal to hear
Governor Schwarzenegger talk like just the billionaire action star he
once was, although his initial, endless ramblings about his naked body
are positively creepy. Danes and Stahl also have a sense of humor
about tackling such a huge project and what it may mean - and may not
- to their careers. And Loken may have had the toughest job of all,
making a leather-clad female terminator believable. She handles it all
with aplomb and is very engaging. So much so that by the time we get
to Mostow's solo track, it can't help but seem dull by comparison. He
certainly delves into all of the nuts and bolts completely lacking in
the group commentary, but how much of this kind of stuff you can take
is up to you.
Rounding out disc one are the film's theatrical
trailer and a PC game promo spot. 
Pop in
disc two and you'll find all of the video-based goodies.
Unfortunately, most are pretty fluffy if slick and powered by a
relentless (and soon tiresome) techno underscore. After the dull
Introduction by Arnold Schwarzenegger that contains
no surprises, we have a Documentary, which is
actually an HBO First Look special that runs 24 minutes. It is your
typical breathless pre-release extended commercial. We don't learn
anything we didn't already know after watching the flick, so even if
you are a real fan you can skip this one. On-set interviews with
Mostow, Schwarzenegger, Stahl and Danes are the highlights, and like
all of the video extras on disc two, is presented in full screen with
optional French subtitles only.
A bit more interesting is the
32-minute T3 Visual Effects Lab, which breaks down
five key sequences: "Crane Chase," "FX
Transformation," "Crystal Peak" and "Future
War." Each breaks down their respective scene from the
perspective of conceptualization, stunts, effects, CGI and post-
production. Nothing here reinvents the wheel of boasts anything we
haven't seen before, but some of the effects are cool and this is as
well-produced such a supplement as any you are likely to see on a DVD.
You can also have fun with the "Create Your Own Visual
Effects" section, which allows you to pick the effects you want
for either the "Robots" or "Underwater Scene,"
then the scene will play in whatever permutation you want. THis isn't
really truly interactive like you would think - there are only six
options per scene, so you are just accessing short separate video
segments depending on what combination you select. Still, it delivers
a few moments of pleasure.
NExt up are a variety of little
vignettes. The 3-minute Sgt. Candy Scene is an oddity
- what looks like a deleted comedy movie-within-a-movie scene that,
frankly, made no sense to me. Storyboards is a 4-
minute montage of the climatic Terminator vs. Terminator duel. The
entire sequence is show as a side-by-side comparison between the
storyboards and the final finished film, with soundtrack. The reaming
two featurettes are kinda fun if way too brief. Dressed to
Kill runs only 2 minutes and offers a breezy look at how to
costume a Terminator, and what to wear if you are being chased by one.
Toys in Action pays a visit with Todd McFarlane and
takes a look at all the various Terminator-inspired toys that have
come out in recent years. Running 8 minutes, this feels more like a
commercial than a true featurette.
Rounding out the set are
some text- and text/video-based hybrid extras. The Skynet
Database, which is a simple trivia challenge that offers
access to text files on all the main characters and production notes
and history. Funny is the lack of availability of footage of key
characters from Terminator films past, which results in cheesy new
footage of stand-ins that is painfully obvious. The Terminator
Timeline is more useful and interesting - at last we get a
breakdown by year of the events leading up to the end of the world as
we know it. I don't know if the logic holds true, but you diehard fans
will, I'm sure, know better than I do. Last but not least is a PC
game trailer and a very brief making-of the game
featurette. Purely promotional.
DVD-ROM
Exclusives: What do you get when you pop the disc in your PC?
Pop in either disc and a custom T3 interface is
there to greet you. Access basic DVD controls, weblinks to the
official T3 site, the T3 store (surprise, surprise) and other Warner
destinations, plus a T3 game preview.
Parting
Thoughts
Arnold is back and, no the terminator doesn't want
your vote - he already got it. Alas, T3 is just kind of a mediocre
sequel. Great action, lots of cliches. As a DVD, Rise of the Machines
looks and sounds great but aside from the commentaries, the video-
based extras are all extended commercials. For $29.95 I expected a bit
more, and compared to all of the other great two-disc sets on the
market now, this one should have differentiated itself just a little
bit more. But I'm sure it will sell millions anyway.