Finding Nemo is another slam-dunk for Pixar. A studio on a winning
streak unrivaled in recent Hollywood history, this family-friendly
fish tale ruled the summer box office with one fin tied behind its
back, outgrossing every live-action sequel in its path and becoming
Disney's biggest animated blockbuster to date. One wonders how long
the hit streak can last - what goes up must eventually come down, and
the only thing Hollywood loves more than a rags-to-riches success
story is tearing down the once-mighty. So I'll just enjoy it all while
it lasts; Finding Nemo is Pixar's best yet, which is saying a great
deal for a studio that can do no wrong. It is a magical, mystical
adventure and an instant classic.
A mix of fish-out-of-water
and you-can't-go-home-again conventions, our tale begins when Nemo, a
cute little clownfish, gets unexpectedly picked up but a pet store
scuba diver. Dropped in a dentist's fish tank - and soon to be a
neglected birthday present for the dentist's young and very scary-
looking daughter Darla - it is Nemo's overprotective father Marlin and
a friendly but scatterbrained regal blue tang named Dory to the
rescue. An epic journey ensues, filled with vegetarian sharks, surfer
turtles, hypnotic jellyfish and a flock of very hungry seagulls.
Truth be told, Finding Nemo is a fairly typical father-son story.
But they say there are only about seven or eight basic stories to tell
anyway, and the magic is in how you say it. Too bad Pixar can't patent
their secret ingredients. Is it the gorgeous animation? The sharp and
witty dialogue? The enchanting and memorable characters? The
impeccable voice talent they can assemble with the flick of a cell
phone? Or just great marketing? I bet it is a little bit of
everything. Rare do all of the elements that make a great movie seem
to line up so effortlessly. That Pixar only chooses to tell their
stories with computer animation is besides the point; while every
other studio, including Disney, continues to flounder with half-baked
stories and misguided attempts at reimagining the classics (Sinbad?
Treasure Planet?), Pixar realizes that it is not the tools that
ultimately matter most. Even beneath the skin of a synthetic fish can
beat the flesh and blood heart of a human being.
But none of
this matters anyway. Finding Nemo is a film impervious to criticism.
Millions loved it, millions will buy it on DVD, and it is the closest
you are going to get to a movie you can hug like a teddy bear. I can
only hope that Pixar's hit streak will continue, but it is hard to
imagine an animated film being any more perfect than Finding Nemo.

Video: How Does The Disc Look?
Disney and Pixar have
teamed up to bring you Finding Nemo on DVD in a two-disc set that
tries to be everything to everybody. Which is not an aim entirely
lacking in nobility. Here we get THX-certified 1.78:1 anamorphic
widescreen and 4:3 "recomposed" full screen transfers, each
on a separate disc. And no surprise, they look gorgeous. Colors are
simply magnificent - deep blues, blistering oranges, lush greens and
rich reds leap off the screen, perfectly saturated and free from any
noise or bleeding. THe sense of depth here is often amazing - it is,
literally, like looking at a fish tank. The image is sharp and
detailed, with even the "dark" scenes flush with fine
textures and no jaggedness or rough edges to destroy the illusion.
Unfortunately, both of these discs are pretty packed, and if there
looks to be a tad bit of fuzziness in some shots - and most of the
video-based supplements are compressed to hell - one wonders if the
image could have been improved even more had they dropped the full
frame version and moved all the extras to disc two. Otherwise, Finding
Nemo looks all-around wonderful.
Audio: How Does The Disc
Sound?
The great thing about animated movies is that, since
they are entirely "fake," their soundtracks have to be
created from scratch and built from the ground up. Once again
utilizing the talents of Oscar-winning sound designer Gary Rydstrom,
Finding Nemo may be Pixar's most engrossing yet. It is that wonderful.

The oceans - and fish tanks - of Nemo come alive with a highly
engaging, fully 360-degree Dolby Digital Surround EX soundtrack. What
most impresses is actually the subtle ambience. Whooshes, burbles and
flapping fins emanate from all channels; transparency and imagine is
all-around excellent. Frequency response and dialogue recording is
predictably reference-quality. The .1 LFE is also very strong, pure
and powerful. And don't be fooled that this is family film - despite
the lack of big action scenes and explosions, turn this one up
loud...the better to hear how much love and care obviously went into
the creation of this sound.
French and Spanish EX dubs are
also provided, along with English, French and Spanish subtitles and
English Closed Captions.
Supplements: What Goodies Are
There? 
You take the good, you take the bad, you take them both
and there you have...the facts of Nemo. One can understand the desire
to try to appease both the adults and the kids, but splitting up the
extras across two discs is still kind of annoying. Ah, well, there is
still enough good stuff here that it is hard to complain.
After enjoying the cute and clever menus - narrated by the film's
stars especially for the DVD - let's start with what is similar on
both discs. Each includes an introduction by the filmmakers, plus a
Virtual Aquarium - little loops that turn your TV
into a fishtank - with the first disc with clips from the movie, the
second with all-new animation. There are also three making-of
featurettes/vignettes spread across the two discs. Platter one gets
Making Nemo, which runs 25 minutes and covers the
basics - the gestation of the story, putting it all together, the
basics of the animation and the finishing touches. Platter two holds
the "Behind the Scenes" section, with a Studio
Tour (the same basic "Welcome to Pixar"-type thing
we got on the Monsters, Inc., A Bug's Life and the Toy Story DVDs);
less than 3 minutes of amusing Character Interviews;
and Publicity, which is really a collection of one
teaser and three theatrical trailers, three TV spots and a Print
Gallery with various ad concepts and posters.
The widescreen
version of the film gets the best extra. The Visual
Commentary runs 133 minutes - a good 23 minutes longer than
the feature and is a gas. Co-directors Lee Unkrich and Andrew Stanton
and co-writer Bob Petersen are our hosts, and they are funny, smart
and very personable guys who obviously realize they have the greatest
job in the world. THe best thing about Pixar flicks is that they
always seem to spring out of the hearts and minds of their creators -
these are not movies made by committee, but very personal stories that
just happen to utilize the talents of hundreds. And this is one of the
few visual commentaries that actually works - access time is very
quick, with only the full frame aspect ratio ruining the illusion.
(Since this only works with the widescreen version of the film, why
weren't the branching portions produced in 1.78:1?) In addition to
seven deleted scenes (all in animated storyboard form with rough
voice-over), there are almost 30 other vignettes, from test animations
to scoring and voice session excerpts to cute if throwaway gags and
in-jokes. But what if you don't want to sit through the whole thing?
In a great touch, a complete index is also included, allowing you to
jump instantly to any of the deleted scenes or additional video
material. 
The rest of disc one contains four Design
Galleries, a pretty comprehensive selection of over 450 or so
stills: "Art Review" (a 6-minute montage with or without
optional commentary or music-only); "Characters" (24
snippets of 3-D, 360-degree mockup renderings);
"Environments" ("Reef," "Ocean" and
"Harbor") and "Color Script," which alone contains
300 images created by production designer Ralph Eggleston to inspire
the film's lighting by outlining the story's colors, moods and time of
day. This stuff is likely a bit too heavy for the young ones but
animation buffs should love it.
Disc two is far more kid-
friendly, with a selection of edu-tainment materials and games.
Exploring the Reef is a 7-minute mock-featurette
hosted by Jean-Michel Cousteau, as the film's characters disrupt his
attempt to educate us on the mysterious of the undersea kingdom. It
certainly is funny. We also get the Pixar short Knick
Knack, without without optional commentary. Mr. Ray's
Encyclopedia is a 7-minute, odd sort of "video
book" that introduces us to eight different sea creatures,
narrated by the film's characters and each a montage of real sea
footage. Kids should love it.
Fisharades is
an interactive game that is exactly what it sounds like - can you
guess what each of the fishes are trying to mimic?
Storytime is a read-along storybook of still pages,
with or without optional narration. Rounding out the set are the usual
Disney sneak peeks, including a teaser for the
upcoming Pixar guaranteed blockbuster, The Incredibles. There is also
an 8-page booklet with a map to the set's many extras.
DVD-
ROM Exclusives: What do you get when you pop the disc in your
PC?
What? No PC extras? Doesn't make much sense given the
wealth of video-based goodies and the fact that kids love to play with
their computers. Weird...
Parting Thoughts
Finding Nemo is an instant classic and my pick for Pixar's best so
far. And this is a great two-disc set: an often stunning transfer and
soundtrack and plenty of entertaining extras that should please both
adults and kids alike. So don't hesitate - run out and get your copy
today.