I suppose it is a foregone conclusion that for those of my
generation, Joan Crawford will forever be known as an aging, insecure
shrew who loved to beat her kids with wire hangers and chop down
cherry trees with axes. In one fell swoop, adopted daughter Christina
Crawford saw to it that dear old mom would get her posthumous
comeuppance; tabloid fodder for years, the notorious Mommie Dearest is
still the mother of all tell-all bios. We'll probably never know how
much truth there was to Christina's character assassination - was Joan
a she-demon, or was Christina a vengeful little shrew pissed off
because she wasn't left anything in the will? Some mysteries are,
alas, never answered. But there was one tiny little truth that even
Tina couldn't destroy. Joan Crawford was one damn fine actress and a
helluva movie star.
Lonely and insecure Mildred Pierce is
coming off of a failed marriage with two kids in tow. With older
daughter Veda (Ann Blyth) wanting only the best in life, Mildred takes
a gamble and opens her own small restaurant. A smash success, soon
she's running her own chain and the money is flowing in - and out of
Veda's purse. But how far will a mother go for the love of her
daughter? When there's a murder, Mildred is pegged as the prime
suspect. But when it's all over, many tears will be shed, secrets
revealed, and the murderer uncovered... Mildred Pierce is one
of those films that works on multiple levels, all flawlessly. It's a
great drama. A great thriller. And even, at times, a great comedy. But
unlike many of Crawford's later films, it's not campy. Winning a much-
coveted Oscar for her performance in the titular role, Mildred Pierce
may be Crawford's finest moment. It is a role she was born to play.
But just as strong is the ensemble, led by Blyth as Veda, Eve Arden as
Ida, and the underrated Jack Carson as the oily but likable Wally Fay.
As impeccable as the cast is Michael Curtiz's inspired direction,
which never steps wrong. Giving the film both the polish of a classic
drama and the moodiness of a film noir, Ernest Halle's photography is
perfect - watch his playful use of shadow, which often subverts our
expectations but never feels heavy-handed. And just as fun is Ranald
MacDougall's witty, sharp dialogue. This film has so many great lines
you could quote it for days.
While the film is Crawford's
show, one has to stand back in awe of the seemingly meek Blyth as
Veda. This scheming little witch has to be seen to be believed. So
manipulative, so self-centered, so unapologetically cruel, I never
knew whether I wanted to slap her or to be her. They say the
most wicked characters are the most fun to play, and Blyth seems to be
having a great time holding her own against Crawford. While Pierce is
a great character, the film wouldn't be as delectable without Veda.
These two make quite a pair. Don't miss out on the fun.

Video: How Does The Disc Look?
Stellar. Here's
another topnotch remaster from Warner, helping to prove that when it
comes to rescuing the classics from the vaults, they are one of the
best studios around. Presented in its original 1.37:1 theatrical
aspect ratio, the print has been restored to excellent shape. There is
nary a blemish to be found, with lush blacks and rich contrast. The
image is wonderfully detailed, and the sense of depth even more
impressive considering this film is now over fifty years old. I'd like
to think that all the complaining on behalf of DVD critics and on
websites like this have helped reduce all that artificial edginess
that used to plague most catalog remasters. Here I saw only a very
smooth, film-like presentation with no apparent ringing around sharply
contrasted objects. Warner has also wisely included the full-length
supplementary documentary on the flipside of this DVD-14; thus, no
compression artifacts are apparent. This looks terrific.
Audio: How Does The Disc Sound?
While not getting the
5.1 remix treatment (in fact, not even a new stereo track is provided)
the film's original mono presentation has been cleaned up and sounds
good. Gone is any obvious harshness or hiss. Dynamic range is very
pleasing for a film of this vintage, with very clear and distinct
dialogue. Any real heft or presence to the low end is of course
lacking; but hey, it's a mono track, and for what it is is very good
indeed. 
Also included are English, French and Spanish subtitles
and English Closed Captions.
Supplements: What Goodies Are
There?
If ever quality didn't equal quantity, it's here. At
first glance there doesn't look like there is much to this DVD. Just
the flick, a very nice trailer gallery with 9 promos for
various Crawford gems (Possessed, What Ever Happened to Baby Jane? and
Mildred Pierce among them) and some filmographies. And, oh
yeah, there's also a documentary...
Flip the disc over and
you'll find writer, director and producer Peter Fitzgerald's excellent
86-minute Joan Crawford: The Ultimate Movie Star. Originally
produced for Turner Classic Movies, I'm generally suspect of
repackaged TV docs, but this is an excellent look at Crawford the
actress, the woman and the legend. It's terrific. Narrated by Anjelica
Huston and featuring a host of recollections from past associates,
friends and relatives - everyone from former lover Vincent Herman to
Mrs. Voorhees herself Betsy Palmer to, of course, Christina Crawford.
While little Christina comes off as very bitter and justifiably
biased, the rest offer fitting remembrances of more than just mommie
dearest. This is an incredibly thorough piece. Once just a scared
little Hollywood hopeful named Lucille Le Sueur, she eventually became
a dancer and MGM contract player, then rose through the ranks to be
one of the most recognizable and beloved actresses of the 20th
century. While her late-career decline and the posthumous character
assassination by Christina forever left a blight on her memory,
perhaps irrevocably, this doc reminds us that the lady was, in the
end, destined to be a star.
DVD-ROM Exclusives: What do you
get when you pop the disc in your PC?
No ROM extras have
been included.
Parting Thoughts
A classic film.
A classic transfer. A classic documentary. Mildred Pierce is a must-
have for fans of the film, and if you just love a good movie, you
gotta at least give this one a rent. A gem.