Owing a debt to films like Pulp Fiction, Out of
Sight, and The Usual Suspects, Guy Ritchie's Snatch
is a bit of everything all rolled into one, but with enough
originality and energy to stand on its own. I haven't seen Ritchie's
previous feature, Lock, Stock & Two Smoking Barrels, but
after seeing Snatch, I've set some time aside to check it out.
This is only his third feature, yet Ritchie has been able to establish
himself as a strong writer and director with plenty of style and
imagination to spare.
Ritchie has attracted a large and
talented cast comprised of well-known American stars and lesser known
(at least on this side of the pond) British thespians. Within the
large ensemble you'll find promoters, gangsters, incompetent thieves,
an incomprehensible boxer, and a squeaking dog. All of these
characters are somehow involved in the search for a stolen 86-carat
diamond, and eventually just about everyone has it, wants it, or loses
it. By film's end, some of these folks will be dead, victims of greed.
I really enjoyed this movie, but I feel awkward about
discussing the fine details of the plot since it would spoil the
enjoyment for new viewers. I will mention that the film contains one
of the best-shot fight scenes ever committed to celluloid. Sure, there
are shades of Raging Bull, but Ritchie proves that as a
director he does not lack talent or vision. While some of the accents
will undoubtedly be hard for us Yanks to understand, Ritchie
constructs the story in such a way that his visuals reveal as much of
the tale as his dialog. If you enjoyed Out of Sight, Pulp
Fiction, and other such crime stories, Snatch is right up
your alley.
Video: How Does The Disc Look? 
A
better question might be, "Does this Superbit DVD look better
than the original release?" This disc-set is another of Columbia
TriStar Home Entertainment's efforts to optimize video and audio
quality for its popular titles. The theatrical aspect ratio of 1.85:1
is, of course, presented in anamorphic video. Edge halos are present
but slightly diminished, similar to the results found on the Mask
of Zorro Superbit DVD, but not quite as subtle; some scenes do
indeed remain visibly flawed by haloed outlines. The overall look
intended by the director of undersaturated color remains, but without
sacrificing a natural appearance. Small object detail and textures
fair quite well here, and compression artifacts are not noticeable. A
touch of visible grain contributes to the illusion of film, as do a
few remaining nicks in the print. This is consistent with Superbit
production; the original high definition transfer is the source for
the newly downconverted and compressed images we find here. Bottom
line? The Superbit is superior.
Audio: How Does The Disc
Sound?
There are two 5.1 English tracks on this Superbit
release, one in Dolby Digital and the other in DTS. This film is not
the spectacle most often found on Superbit, so the soundtrack is
somewhat tame by comparison. That isn't to say that there aren't
effective surround effects that draw the viewer into the action, but
they are applied judiciously. The single most challenging aspect of
the track is intelligibility, since the various British dialects - and
Pitt's satirical incomprehensibility - are, at times, difficult to
understand. The soundstage is a tad claustrophobic, lacking a sense of
spaciousness common in many films today. Bass is present but
unimpressive; a fabulous subwoofer will not be required. The film's
score, such as it is, offers a stronger bass line than the sound
effects.
As for the inevitable comparison between the Dolby
Digital track and DTS, the differences are unusually small. Perhaps
it's the nature of the audio content, but with the exception of a very
subtle improvement in the timbre of the voices, I think you'll be
quite satisfied with either. 
The audio is supported by
subtitles in English, Spanish, French, Portuguese, Chinese, Korean,
and Thai; English Closed Captions are also included.
Supplements: What Goodies Are There?
As with other
Superbit Deluxe DVDs, the supplements may be found on a second disc.
And as with other Superbit releases, the commentary track has been
removed from the feature on disc one. Since there are such minor
differences between the two included 5.1 tracks, I think I would have
preferred director Guy Ritchie and producer Matthew Vaughn's
informative commentary to the DTS track. 
Absent from disc one -
and not missed - is the "Stealing Stones" supplement, a
branching feature that allowed you to view deleted scenes in the
context of the flow of the film. Since these scenes are available on
this release on the second disc, all that is missing (thankfully) is
the distracting temptation of trying to insert full screen scenes into
an anamorphic presentation.
On to disc two, we have a
featurette entitled Making Snatch, a twenty-five minute
look at the production. Lead actor Jason Statham interviews Guy
Ritchie over a game of Chess, and discusses the making the film. Quite
a bit of production footage is seen in this featurette and I feel that
it's one of the better making-of documentaries I've seen. And kudos to
Columbia; the featurette is in anamorphic widescreen. Optional
subtitles are offered in Spanish and Portuguese.
The deleted
scenes on the second disc include the option of director and
producer's commentary. There are six scenes that, in aggregate, run
less than nine minutes. They are presented in full frame with monaural
sound. Next are storyboard comparisons that highlight three
scenes from the film. Storyboards for "Introduction of
Characters," "Avi Goes to London," and "The Big
Fight" can viewed individually or next to a window displaying the
film, so you can watch the film and the storyboards simultaneously in
real time.
The video photo gallery is a five-minute
sequence with behind-the-scenes stills edited together with music,
forming a kind of Snatch music video that covers the
production. Stylistically, the montage is edited in much the same way
that the film is, amusing for about one viewing. Next are three 30-
second US TV spots, the UK teaser and US trailer
and five additional trailers for: Go, Leon - The
Professional, The Lady From Shanghai, Dr.
Strangelove, and John Carpenter's Ghosts of Mars.
Columbia's talent files with five players' and the director's
filmographies are also provided. The 102-minute film is organized into
28 chapter stops.
Which brings us to the two easter eggs
on the main page of disc two. Most easily found with a mouse on a PC,
two hidden symbols may be found to the right of the title shown in
black on yellow. One easter egg is a weird little montage of clips
from the film that runs just over a minute. The second begins by
asking if you are easily offended. Based on your answer, the DVD
responds with an appropriately droll response.
DVD-ROM
Exclusives: What do you get when you pop the disc in your PC?
As is typical for Columbia DVDs, when you insert the disc an
autoloaded applet gives you the option of linking to a Columbia
Tristar Home Entertainment website. There are no actual exclusive ROM
extras.
Parting Thoughts
Snatch is one of
the finest crime comedies I've seen in quite some time. The plot
twists and the absurdities roll at a rapid pace as Snatch
barrels on with merciless energy. I really enjoyed this film and the
disc, and I'm looking forward to Guy Ritchie's next work.