Given the spate of terrible teen movies released lately, I was
beginning to think that Hollywood had begun to forget how to craft
even a decent collegiate comedy these days. I mean, was Animal House
really the last of a dying breed? Or how about almost anything with
John Cusack in it? OK, sure, these films did have some top comedic
talent behind them, but I'd venture an argument that Jack Black is
headed in that direction...
Orange County is yet another small
budgeted comedy that came from outta left field and raked in over
twice as much as it cost, which was around $41 million. Critics didn't
greet Orange County very warmly; in fact you might say it was
lambasted darn heavily, but the film was a hit with the teenage crowd,
so what do Maltin or Roeper know about comedy, anyway? (They both
actually liked Kate & Leopold!) As for the plot,
y'all probably already know what this one's about as we all were
inundated with an overabundance of trailers that revealed far too much
of the story. The formula is that tried and true Man vs. Himself
dilemma, as Shaun Brumder is trying ever so hard to make his mark on
the world and get into the best college. His inspiration comes from a
book he finds on the beach, so decides he'd like to become a writer
and work with the author at Stanford. Only one thing stands in his
way... Lily Tomlin is his career counselor, and sent in the wrong
transcript, so Shaun doesn't make the cut. But this is a teen comedy,
so of course Shaun can't accept defeat, instead roping in his
girlfriend (Schuyler Fisk) and brother (Jack Black) to come up with
increasingly improbably ways to get him into Stanford.
Orange
County stars Colin Hanks (yup, Tom's boy) as Shaun, and Fisk (Sissy
Spacek's daughter) as Ashley, with a slew of excellent cameos ranging
from Lily Tomlin, Kevin Kline, Ben Stiller, Harold Ramis and Chevy
Chase. Now, at first glance one might think that these young stars
have superstar parents who could certainly call anyone and have their
kids put in any film, which is probably true. However, it is
refreshing to see Hanks and Fisk doing their best to make the movie
their own and not simply copy their famous parents' mannerisms. Good
for them, but now if only Martin Sheen could convince his offspring
otherwise... 
Speaking of nepotism, after a poorly-received
directorial debut with the 1998 bomb Zero Effect, director Jake Kasdan
(son of Lawrence) helmed episodes of such small screen teen shows as
Grosse Pointe, Undeclared and Freaks & Geeks, but does an
admirable job here with pretty thin material. Screenwriter Mike White
is also familiar with the genre, having written the surprisingly
humorous screenplay for Dead Man on Campus, and shows a strong hand
for character and pace. All things considered, the laughs abound and
it isn't until the predictable finale that Orange County crumbles
under the weight of its own heavy-handed morality tale turn. The
giggles slow to a trickle, but don't let that deter you, this is still
well worth a Saturday night rental.
Video: How Does The
Disc Look?
Paramount grants Orange County a very nice
1.85:1 anamorphic transfer. There are a large number of bright scenes
that look great, with colors that always look fantastic with well-
rendered and precise fleshtones. Textures and fine detail are often
striking, such as the raised designs on the Brumder's couch or a
thread of fabric on Lithgow's shirt. Blacks are solid and whites
crisp, with no hint of over-contrast or blooming bright whites. The
print as expected is nearly pristine, with only the rare bit of grain
to distract. On the negative side, there is a relatively fair amount
of edge enhancement and halos, especially in exterior shots of the
amazingly angular high school, but on the whole this is a very fine
transfer.
Audio: How Does The Disc Sound?

Included is a delightful Dolby Digital 5.1 surround track. While
suffering slightly from the typical blah sound design that plagues
most comedies, for the most part all channels are active throughout
and this is a lively mix. Dialogue is well anchored in the center
channel and clear and distinct throughout. The surrounds are mainly
utilized for the score and songs with only the rare discrete effect.
But there are a few left to right pans that were produced seamlessly
and the front soundstage, in general, is crisp and lively. Of course a
rocking soundtrack helps pump up the jam, so to speak. Another area
that excels is the strong .1 LFE channel, and while there are only a
couple of scenes where bass is overly apparent, it is very well-
rendered and gives the mix a much needed kick.
Also included
are English and French Dolby Digital 2.0 surround tracks, with English
Closed Captions and English subtitles.
Supplements: What
Goodies Are There?
Not quite a full-fledged collectors'
edition, but Paramount has sprung for a few nice supplements that
should please the fans.
First up is the screen-specific
audio commentary by director Jake Kasdan and writer Mike White.
This commentary is a bit on the slow side with far too much quite time
and almost an entire lack of info provided on the film whatsoever.
Kasdan and White try the patience of the view by going on endlessly
about how wonderfully one another handled particular aspects of scene
after scene. They are very proud of this movie which is great, but
their dry wit and nasally voices should drive most to hit
"Eject" in no time flat.
Up next are some deleted
scenes, all presented in non-anamorphic widescreen. Here we have
four beauties, one of which caused some giggles but the rest are
pretty dull. Skip on through to the next extra, something called
interstitials, of which there are no less than fifteen. They
appear to be promotional ads that were made for TV, and several are
very entertaining, or at least the first nine of 'em are. It's too bad
they didn't include the forty-two radio spots likely made for the
picture as well...?
Rounding out the extras is the film's
theatrical trailer, presented non-anamorphic Dolby Digital 5.1.
I remember seeing it in the theater and thinking that I had just seen
the entire movie. I suppose there must be some good marketing reason
for showing the entire film's plot line and 75% of the jokes in a two-
minute trailer... but I sure can't think of one. Anyway, after you've
watched Orange County it's a fun recap of the film, but don't watch it
first if you haven't seen the film.
On a quick side note, I
suppose I haven't purchased many Paramount new releases lately, but
Orange County's keepcase has a new and most unusual feature.
Not only does the case snap shut, but there are two flaps that also
lock in for that extra secure closure. It's like a Pelican case for
one DVD. Peculiar!
DVD-ROM Exclusives: What do you get when
you pop the disc in your PC?
No ROM extras have been
included.
Parting Thoughts
The latest in the MTV
line of big-screen epics is an entertaining one that should especially
appeal to teenagers. I laughed most of the way through, and yes, it is
filled with cliches, but Hanks, Black and Fisk handle the material so
well that I couldn't help but chortle. If you missed this one in the
theater, you have to give this one a rent at the very least. Folks
totally digging will do well to pick it up for $29.99, but the price
tag is still a bit steep. Four deleted scenes, promo material you saw
for free and a lousy commentary, but technically this disc delivers.
Recommended for those with disposable income.