The Man Who Wasn't There is intended to be the Coen Brothers
homage to the great noir films of the 40s and 50's. Set in 1940's
Santa Rosa, Calfornia (just like Hitchcock's Shadow of a Doubt) and
shot in stunning black and white, The Man Who Wasn't There begins in
promising fashion, with an outstanding blend of wit, humor, and
ingenious plot twists and devices.
Billy Bob Thornton is Ed
Crane, a barber. Ed suspects that his wife Doris (Frances McDormand)
is having an affair with her boss, Big Dave (James Gandolfini).
Although that doesn't seem to bother him a lot (in fact, nothing seems
to bother Ed a whole hell of a lot) Ed wants some stake money to go
into the about to be up-and-coming dry cleaning business (cleaning
without water, get it?). He decides to send an anonymous black mail
letter to his Big Dave threatening exposure of his affair with Doris
unless he coughs up $10k. I may have already told you too much, and
since the plot devices surrounding this situation are the best part of
the movie, I'll stop there. Had the events I described above
remained the focus of the movie, this could be a new classic. But
frankly, the movie veers off course and never regains the intense
momentum and suspense generated in the first 45 minutes. While we get
the off-kilter imagery and off-beat characterizations that the Coens
are notorious for, this movie forgets what it's about, if it ever
actually knew. It's like the movie ends at a certain, obvious point,
and the epilogue spins on and on to a not-so-logical conclusion.
On the plus side, the black and white imagery is just gorgeous,
enough to recommend the film by itself. And the performances are
terrific. Billy Bob Thornton is the ultimate straight man in what is,
in many ways, a comedy of sorts. And there is some genuine humor in
Michael Badalucco (as Ed Crane's brother-in-law) riding the pig, and
Tony Shaloub's hysterical turn as defense attorney Freddy
Riedenschneider, both of which are comic standouts. Great filmmakers
failures are often more compelling than lesser artists successes. The
Coens are great filmmakers, and this film is not without things to
admire. And for movie fans the added attraction of this DVD is a
first-ever running commentary by the Coens, along with other special
features. 
Video: How Does The Disc Look?
The Man
Who Wasn't There is presented in anamorphic widescreen and framed at
approximately 1.78:1. The image quality honors the theatrical
presentation I saw of cinematographer Roger Deakins' sumptuous,
striking black and white photography. The blacks are exceptionally
deep, and enveloping, but with outstanding shadow details. Contrast is
outstanding, and the image overall is sharp and three-dimensional.
Although some halos around darker foreground objects are occasionally
noticeable, the iamge never took on an artificially hard or digital
look. This is simply one of the most beautiful films I've ever seen,
and this DVD captures it. It actually looks like film.
Audio: How Does the Disc Sound?
The soundtrack is
presented in Dolby Digital 5.1. Dialog is always intelligible, and
natural sounding. Thornton's voice over is appropriately chesty
sounding, which is the intent. Some good dynamics are occasionally
shown, and the film's often haunting and lyrical score shows good
fidelity. This is a fine presentation of a soundtrack that was never
intended to be demo material. 
Also included is French Dolby
5.1 surround track, plus French and Spanish subtitles are included,
along with English Closed Captions.
Supplements: What
Goodies Are There?
Let's start with the most exciting
feature, the screen-specific audio commentary with Joel and
Ethan Coen and star Billy Bob Thornton. This commentary is informative
and hilarious, and boy, are these three guys on the same page! The
report seems so genuine I wouldn't be at all surprised if another
collaboration between the three were in the future. They all have more
than their fair share of laughs at Ed Crane's expense, and Billy Bob
reveals a certain nuance of his performance during a scene with
Scarlett Johansson that you won't have noticed but won't forget once
you've seen it!
Two of the features, The Making of The Man
Who Wasn't There and the Interview with Cinematographer
Roger Deakins are mostly comprised of shoddily edited interviews.
They're interesting and very informative, but rough around the edges
compared to a lot of the material we see on DVD. I did learn that
throughout shooting this film was called "Untitled Barber
Movie," which I think is actually more appropriate. The Deakins
interview is absolutely fascinating, running nearly 50 minutes. I've
always bee a fan of his and if you are too, this feature is a real
treasure.
The Deleted Material consists of 5
"scenes." While the first is a genuine scene, featuring
Reidenschneider's opening statement to the jury, there are 3 clips,
lasting a few seconds each, named after the hairstyle they portray,
and another of a salad. Strange but true. In addition to a Behind
the Scenes Photo Gallery, there are Filmographies of the
principals involved, the Theatrical Trailer, and two TV
Spots done in the vein of "One of the Year's Best
Films."
DVD-ROM Exclusives: What do you get when you
pop the disc in your PC?
No ROM extras have been included.
Parting Thoughts
While Untitled Barber Movie
isn't the equal of many of the Coens great films, it is still a
poignant artistic statement on a number of fronts (especially the
visuals). And this DVD is the closest thing to a full blown special
edition with the Coens participation that we've seen. Hopefully this
is the beginning of a new level of participation by the Coens for
their DVD releases, and hopefully the folks at Fox watch this DVD and
are already on the horn with the Coens about Barton Fink, Miller's
Crossing, and a new Special Edition DVD for Raising Arizona.