Alright, was there really a need for a Jurassic Park III!?
After the dismal first follow-up The Lost World, which even
Spielberg's fading talents couldn't save from hackdom, one wonders how
this already feeble franchise got the greenlight to continue.
Wait...the first two flicks made nearly $2 billion dollars combined at
the worldwide box office, so where there is a till, there is a
way...
As much fun as I had visiting the first Jurassic Park,
let's face it, these aren't exactly movies of great depth and
consequence. They're thrill park rides pure and simple, designed to
deliver on the bottom line - you want great dino action, you got it.
Fair enough. But if you're at all like me, even if you're in the mood
for some brainless summer fun, it better be well made schlock,
because I expect to get my $9 bucks worth. So I was pleasantly
surprised that Jurassic Park III improves notably upon the inferior
first sequel, and delivers the goods despite some of the most
ludicrous exposition and insipid dialogue of the year. Yes,
there is a meager story here, but judging by the last minute rewrites
and the total removal of a key subplot at the 11th hour, it seems as
it was all just an excuse to get everyone back on the island as fast
as possible anyway. This time, Alan Grant (Sam Neill) makes a welcome
return, along with a treat cameo by another major player from the
first film (but I won't spoil the surprise.) Then, after about 8
minutes of lousy exposition and a jaw-droppingly bad talking
velociraptor dream sequence, Grant somehow is flying high over Isla
Sorna as tour guide for would-be thrill-seekers Tea Leoni and William
H. Macy. Of course, all is not what it seems, and faster than you can
say "Holy shit, that be one big spinosaurus!" Grant and
company are stuck on the island with lots and lots of hungry CGI
effects...
But why bore you with plot details? The only point
of a Jurassic Park film now is to watch the big bad dinos eat all the
obnoxious wafer-thin characters, and I must admit that with its
frenzied pace and nonstop action, the third time is still a charm.
Director Joe Johnston, subbing for the missing Spielberg, seems to be
having fun with the admittedly thin material, and even if the dialogue
scenes are painful the dino action is very well staged and executed.
And, thankfully, Johnston pushes the PG-13 rating to its limits, and
my only hope is that whenever they get around to doing a Jurassic Park
IV (which should be any day now, judging by the grosses for III) they
decide to go with a hard R rating. Wouldn't it be fun to see those two
bratty kids from the first movie get torn limb from limb? Now, that
I'd pay to see! 
So, just why is Jurassic Park III worth
seeing? Well, it runs only a scant 96 minutes so therefore won't shave
too much time off your life, and as far as brainless timewasters go,
the effects are nifty and it's fun to watch the stupid characters get
abused. But if that doesn't sound like a glowing recommendation, well,
at least it's not as bad as The Lost World!
Video: How Does
The Disc Look?
Quite a jam-packed DVD in terms of
soundtrack options and supplements, the quality of this 1.85:1
anamorphic widescreen transfer is still surprisingly high despite all
the content that had to be squeezed onto one dual-layer disc. Jurassic
Park III has a visual look somewhere between the brighter hues of the
first film and very dark first sequel, and this transfer renders it
very well.
Despite some noticeable compression artifacts in a
few shots and transitions, especially the opening, this is a nicely
detailed image. Since this is a new film, the print is predictably
pristine - there's nary a blemish or defect to distract. Colors are
very vibrant if intentionally subdued at times, with perfect
fleshtones. Blacks are rock solid and contrast overall excellent,
though shadow delineation in some of the darker scenes is a bit weaker
than I would have expected. Edge enhancement is thankfully minimal, so
there is little edginess to the image for a smooth, film-like
appearance. Aside from the compression artifacts, the only other
drawback to the transfer may be its softness. While fairly sharp, many
sequences appear a bit flat, especially interiors and the flying dinos
birdcage sequence. But overall, a strong image up there with the other
Jurassic Park releases. 
(Universal is also releasing a
separate pan & scan version with the same extras and soundtrack
configurations, but I don't review pan & scan...so there!)
Audio: How Does the Disc Sound?
Boasting both Dolby
Digital and DTS 5.1 surround tracks on the same disc, as you would
expect, this mix ain't no walk in the park. This is one aggressive,
noisy and hectic mix that is all about dino-mite! Everything you'd
expect from a Jurassic Park mix is here - excellent dynamics and
fidelity, with an attention to detail that is impressive. Front
soundstage separation is super with dialogue firmly anchored in the
center channel, and surround use is aggressive in the big action
scenes. The score is also nicely spread out among the fronts, though I
would have liked a bit more surround presence. 
However, like
most big-budget action mixes these days, I felt the track lacked
subtlety, especially in the quieter scenes. The surrounds are often
too subdued when there isn't a dino rampaging across the screen, but
at least dialogue, music and the effects are well-balanced and I
didn't have to constantly reach for my volume knob like with many
other mixes these days. Some of the discrete effects on the rampaging
dinos were also too obvious at times, such as the T-Rex versus
Spinosaurus fight, which sometimes distracted with the attempts at a
360-panning effect. Still, crank this puppy up for a good time.
Using three scenes to compare the Dolby Digital and DTS tracks -
the opening hang glider sequence, the T-Rex versus the Spinosaurus
fight, and the climatic water duel - the DTS came out slightly ahead,
but the differences weren't incredibly noticeable. Oddly enough, the
improvements in the DTS track weren't in the bombast. If anything, the
Dolby and DTS mixes were pretty comparable in terms of fidelity and
low end impact. But the DTS rendered details better, especially with
discrete ambient effects. Imaging was also improved on the DTS track,
and bass just a tad bit stronger. Dialogue also sounded a bit warmer
and more pronounced as well. But either track will give you good bang
for your buck.
Also included is an alternate French 5.1 Dolby
Digital surround track, and English Captions and Spanish subtitles. No
true Closed Captions are included. 
Supplements: What Goodies
Are There?
Just like the other Jurassic Park DVDs,
Universal has loaded this one up with extra goodies. A special
Jurassic Park Trilogy box set is also being released, which
includes the three widescreen, Dolby Digital versions of each Jurassic
flick, plus a bonus fourth disc full of extras exclusive to the
collection. Note that if you own the first two Jurassic DVD
adventures, you don't have to rebuy the whole box to get the fourth
disc. Pick up Jurassic Park III, and send in the nominal $6.95 fee,
and Universal will send you the extra disc. Very nice.
Anyway,
onto the extras. Let's start with a real first for a Jurassic Park
release, a screen-specific audio commentary. While not with
director or producer, we do get the key visual effects team, including
Stan Winston, John Rosengrant, Dan Taylor, Michael Lanteri. What's
cool about this track, which appears to be edited together from
separate recording sessions (though it is screen-specific), is that
all of the participants except Taylor worked on all three Jurassic
pictures, so while they concentrate on III, we get a nice overview of
the entire series. Despite the occasional gaps here and there, and the
somewhat dry tone, the quartet is quite humorous and surprisingly
modest. Obviously, this is all about the dinosaurs so don't expect to
learn anything about the story or characters, but then Jurassic Park
III doesn't really have any, so that's hardly a drawback!
Next
up are a variety of montages and making-off featurettes. Unlike the
first two Jurassic discs, which had full-length documentaries, for
some reason they decided to break up what could have been a mighty
fine full-length doc down into little pieces, which is quite the cost-
cutting trend these days. Anyway, all these features were produced and
directed by Laurent Bouzereau, who also did The Lost World doc, so the
quality remains more or less consistent. My only real gripe is that
all the video material is presented in full frame, and I can only hope
all the studios and producers like Mr. Bouzereau start producing their
supplements in anamorphic widescreen to make the film and the extras
consistent in terms of presentation.
The leadoff piece is the
24-minute The Making Of Jurassic Park, which suffers in
comparison to the docs on the other Jurassic discs, if only because
Jurassic Park III has no real story and no Spielberg. Producer
Kathleen Kennedy gets the most screen time, but as she has spearheaded
the entire series, that's not a bad thing, and also appearing are
director Joe Johnston, the effects crew including Winston and Lanteri,
and actors Sam Neill, Tea Leoni, William H. Macy and Trevor Howard.
For a piece obviously created before the film was even released, this
is pretty informative. We get a bit on the development of the (non)
story, the majority of the fun deals with the new dinos and the rigors
of such a physical production. Fairly enjoyable.
Repeating a
bit of the same info is The New Dinosaurs Of Jurassic Park III,
which runs a pithy 6 minutes. and is all about the improvements made
to the bad-ass dinos, including newbies the Spinosaurus and the
Pteredons. More of the same interview footage is presented, as well as
more with paleontologist Jack Horner and cool behind-the-scenes peaks
at the CGI rendering process and some of the research required in
coming up with yet more varieties of dinos to impress audiences. Last
but not least was my favorite featurette, Montana: Finding New
Dinosaurs, a 5-minute feature with Paleontologist Jack Horner out
in the wilds digging up dinosaurs. This is the only video feature that
really provides some nice context for the world of dinosaurs, and
Horner and his team have already dug up 30-plus dino skeletons in 2000
alone. The dig footage and actual dino bones are really cool, and even
after only 4 minutes I almost wanted to rush off to Montana and
sign up myself...
Also included are two montages, the 3-minute
A Visit To Stan Winston Studios and the 9-minute repository
Behind-The-Scenes, which is broken into three sequences -
"Spinosaurs Attacks The Plane," "Raptors Attack
Udesky," and "The Lake." Each montage is a mix of neat-
o behind the scenes footage on the set, intercut with the finished
film clips. Unfortunately, no text or narration is provided, but
watching dino puppets onset is always a hoot. More video vignettes
include three Storyboard-To-Final Feature Comparisons for
"The Lab," "The Aviary," and "The Boat
Attack." Each vignette runs about 3 minutes and simply presents a
vertical split screen with the storyboards on top and the final scene
on the bottom. Too bad the multi-angle feature wasn't utilized for the
comparisons, as it would have probably worked a bit better.
More interactive are two more dino-video features, Dinosaur
Turntables and A Visit To ILM. The dino turntables are just
that, 1-minute spinning dinosaurs that give you a 360-degree look at 8
species, along with some basic bio info (feet, height, etc.) A Visit
To ILM is actually quite extensive and divided into four segments
- "Concepts," "The Process," "Muscle
Simulation," and "Compositing" - broken-down into
little sections, including interviews with ILM crew, a look at early
concept art for the new dino species, the CGI building process,
rendering, and final compositing. All told, The Visit To ILM runs 15
minutes, though really lacking is a "Play All" function, as
all the clicking through various sections gets a bit tedious. Also
included are The Jurassic Park Archives, which are two still
galleries with "Production Photographs," and a "Poster
Gallery." The latter is kinda cool, with various never-before-
seen poster concepts complete with some unused alternate titles. Both
galleries are fully automated and run 12 minutes total, so get that
pause button ready.
Rounding out the extras are the usual
array of Universal promos and links. We've got some onscreen
production notes, basic cast and crew filmographies, and
rather lame theatrical trailers for all three Jurassic Park
flicks, though no teasers. Other promo ads include spots for
Universal Studios Theme Parks, the Jurassic Park III soundtrack, and
the ScanCommand: Jurassic Park III video game, as well as weblinks to
various Jurassic Park and Universal websites.
DVD-ROM
Exclusives: What do you get when you pop the disc in your PC?
Now it is on to the DVD-ROM features that initially seemed
promising but ultimately are rather lackluster. When you pop the disc
into the drive, you do get a really nifty interface complete with
sound effects and nice graphics. However, the majority of the features
are simply links to the actual disc content (the featurettes,
production notes, cast bios, and trailers, etc.), While actual ROM-
specific content includes only a trivia game, the "Research
Center" with minor factoids on 8 dinosaurs, a photo gallery with
publicity stills, wallpaper, and game demos. Aside from that, there
are of course weblinks to Universal sites, but overall the ROM extras
here are marginal.
Parting Thoughts
Another
fine Jurassic Park disc to complete your collection. This sports a
fine transfer Dolby Digital and DTS tracks on the same disc, and some
fairly involving supplements, all for only $26.95. While the third
trip to the island is hardly original, if you are a big Jurassic fan
you know you just have to buy this one. While I'd say go with the
Jurassic Park Trilogy box set if you don't already own any of the
Jurassic discs, if you don't care much about the extra supplements
featured in the box set, this is an easy recommend by itself.