From Ben Hecht and Charles MacArthur to Tennessee Williams to David Mamet and Wendy Wasserstein, American playwrights have succumbed at one time or another to the lure of Hollywood. Some find success and remain, others decamp for the nearest stage while still others straddle the media, turning out fine work for both. Kenneth Lonergan joined that long line in the 1990s, selling a spec script that…
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