Seijun Suzuki's career falls into two distinct parts. From the late 1950s until 1967, he was a director of production-line genre flicks at Nikkatsu studios. While working in this seemingly hostile environment, Suzuki cranked out some of the most bizarre, nihilistic, and brilliant gangster films ever committed to celluloid. During the 1980s, Suzuki reinvented himself as a renowned art film...
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