From trading barbs with Mary Duncan in Morning Glory (1933) to taking it in the face from the Three Stooges and Andy Clyde in Columbia two-reel comedies, brunette starlet Geneva Mitchell was all over the place in the 1930s. She had been a specialty dancer in the Ziegfeld Follies and appeared in such popular shows as Louis 14th and Sally prior to making her screen bow in a 1929 Vitaphone short. Yet...
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