Bresson originally pursued a career as a painter but turned to film in the early 1930s, gaining his first experience as a script consultant on "C'etait un musicien" (1933), directed by Frederic Zelnick and Maurice Gleize. In between other, unexceptional assignments as a screenwriter, he made a medium-length film, the long-lost "Les Affaires publiques", in 1934. During WWII, Bresson was a prisoner…
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