Despite acting in important plays like Clifford Odets' "Waiting for Lefty" and "Golden Boy" and even tackling the movies with roles in "City For Conquest" (1940) and "Blues in the Night" (1941), both helmed by Anatole Litvak, Elia Kazan found he could achieve much greater range by shaping others' acting than by honing his own. The source for his…
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