John Lone

A strikingly handsome, lithe and somewhat androgynous Hong Kong-born actor of film and stage, John Lone became established on stage initially via several collaborations with playwright David Henry Hwang. On film, he is probably best recalled for his portrayal of Emperor Pu Yi in Bernardo Bertolucci's lavish, Oscar-winning epic "The Last Emperor" (1987). Orphaned as a young boy, Lone began rigorously training as an actor at the Chin Ciu Academy of the Peking Opera in Hong Kong at age 10. He resided at the school for eight years, undergoing all day training in acting, singing, dance, mime, poetry, weaponry, acrobatics, and martial arts.

At age 18, Lone moved to America and settled in Los Angeles where he quickly snared small roles on film and TV, as well as joined the East-West Players. After earning attention for his performance in David Henry Hwang's "F.O.B." in L.A., he headed to NYC to recreate the role Off-Broadway in 1981, netting an OBIE Award. The playwright then wrote "Dance and the Railroad" specifically for Lone who starred in, directed, choreographed and scored the production at the Public Theatre.

The movies soon beckoned and Lone made an impact with an impressive nonverbal performance as a defrosted caveman in "Iceman" (1984), following up with "Year of the Dragon" (1985), playing a ruthless Chinese Mafia boss. Here, without mounds of obscuring makeup, he displayed his glamorous movie-star looks to the American public for the first time.

Lone has not had a prolific feature career, apparently by choice. He shifts back-and-forth from stage to screen, directing to acting. He has a successful pop singing career in Asia as well as and his own lines of cosmetics and apparel. The actor has made quirky film choices opting for roles in foreign and small independent films (e.g., Alan Rudolph's "The Moderns" 1988) rather than standard commercial Hollywood fare. Lone continued in this vein with David Cronenberg's film version of Hwang's "M. Butterfly" (1993), where he played the Asian object of desire of a French diplomat (Jeremy Irons). Subsequent high profile feature roles have cast the handsome player as nefarious types. In 1994's "The Shadow", Lone was the descendent of Genghis Khan battling Alec Baldwin's Lamont Cranston, while "The Hunted" (1995) saw him portray a cold-blooded assassin. After a long absence, Lone graced US audiences with his charismatic presence playing yet another suave ganglord in "Rush Hour 2" (2001).

  • Born:
    October 13, 1952 in Hong Kong
  • Job Titles:
    Actor, Director, Singer, Choreographer, Composer, Model
Education
  • Chin Ciu Academy of the Peking Opera, Hong Kong
Milestones
  • 1976 First film appearance as a Chinese cook in King Kong
  • 1978 TV acting debut in Kate Bliss and the Ticker Tape Kid (ABC)
  • 1980 Garnered attention with his stage role in the L.A. production of David Henry Hwang s play F.O.B.
  • 1980 Moved to NYC to reprise role in F.O.B. at the New York Shakespeare Festival s Public Theatre
  • 1981 Starred, directed, choreographed, and scored Dance and the Railroad at the Public Theater; a play written for Lone by David Henry Hwang
  • 1983 Appeared in NYC in the stage play Sound and Beauty ; also directed
  • 1984 First significant film role, the titular character in Iceman
  • 1985 First feature lead, Michael Cimino s Year of the Dragon
  • 1985 TV directing debut, Paper Angels , an American Playhouse presentation for PBS
  • 1987 Had title role in the Oscar-winning The Last Emperor
  • 1988 Gave a wonderful performance as a mysterious businessman in The Moderns
  • 1990 Acted in Shadow of China
  • 1993 Cast as a member of the Peking Opera who passes as a woman in the film version of Hwang s acclaimed stage play M. Butterfly
  • 1994 Portrayed the villainous Shiwan Khan in The Shadow
  • 1995 Last Hollywood film for six years, The Hunted ; cast as a vicious assassin
  • 1997 Released first recording in Asia
  • 2001 Again portrayed a Chinese ganglord in Rush Hour 2
  • Attended the American Academy of Dramatic Arts in Pasadena, California
  • Began training as an actor at the age of 10 at the Chin Chiu Academy of the Peking Opera
  • Joined the East-West Players theater troupe
  • Lived at the Academy and studied poetry, acting, dance, mime, singing, acrobatics, and martial arts until age 18
  • Moved to USA at age 18
  • Orphaned as a small child; never knew his parents
  • Returned to the Public Theater to direct and star in two new one-act plays by Hwang under the title Sound and Beauty
  • Settled in Los Angeles; did several guest spots on TV

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