Jane Scott

After becoming an established journalist in the 1960s, the British-born Jane Scott segued to work in the film industry. Initially, she spent three years at the British Film Institute, moving from distribution to production. By 1972, Scott became involved with the filming of Bruce Beresford's "The Adventures of Barry McKenzie" and went on to spend most of that decade commuting between England and Australia. She served as associate producer on several features including Gillian Armstrong's internationally successful "My Brilliant Career" (1978) and Simon Wincer's uneven but interesting "Harlequin" (1980), a modern day version of the Rasputin story. One of her biggest successes was the Paul Hogan vehicle "Crocodile Dundee" (1986) which spawned a less well-received sequel in 1988. After handling the chores as line producer on Baz Luhrmann's "Strictly Ballroom" (1992), Scott garnered further international attention with Scott Hicks' "Shine" (1996). Premiering at the 1996 Sundance Film Festival, this biopic of the little known Australian pianist David Helfgott won critical acclaim and audience attention. The National Board of Review named "Shine" as the Best Picture of 1996 and it went on to earn seven Oscar nominations, including one as Best Picture.

  • Job Titles:
    Producer, Executive, Journalist
Milestones
  • 1972 Worked on Bruce Beresford s The Adventures of Barry McKenzie
  • 1977 Produced Harvest of Hate
  • 1978 Served as associate producer and production supervisor on Gillian Armstrong s My Brilliant Career
  • 1979 Permanently moved to Australia
  • 1986 Produced the international hit Crocodile Dundee
  • 1988 American TV-movie producing debut Danger Down Under (NBC)
  • 1992 Was line producer on Buz Luhrmann s Strictly Ballroom
  • 1993 Produced the ABC miniseries Stephen King s The Tommyknockers
  • 1996 Produced Shine
  • 1998 Served as producer on Ana Kokkinos Head On
  • Began commuting between Australia and Great Britain
  • Joined the British Film Institute, working first in distribution and later production; spent three years there
  • Served on the board of South Australian Film Corporation
  • Worked as magazine writer in the 1960s

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