The Reel Breakdown
  • Kathryn Bigelow and Mark Boal march into the Oscar circle with a mean, muscular real-life spy thriller

    Jessica ChastainJessica Chastain in 'Zero Dark Thirty' (Photo: Columbia Pictures)

    With "Zero Dark Thirty," director Kathryn Bigelow's turns the hunt for Osama bin Laden into the ultimate episode of "Dirty Jobs." With the steely CIA Agent Maya (Jessica Chastain) driving the search, the movie slithers from Pakistan to Afghanistan to the USA, from 9/11 through multiple acts of torture and spy versus spy tradecraft to the final raid by the Navy SEALs that shut down the Al Qaeda chief permanently in 2011. The final sequence, the storming of bin Laden's Pakistani compound, recalls Bigelow's Oscar-winner "The Hurt Locker" -- but the preceding two hours is more closely akin to John LeCarre's "Tinker Tailor Soldier Spy." There is not one moment of dead air or narrative padding. The movie ends once -- Boom! -- not three times and with a whimper. Engrossing. Complicated. Urgent. Spare.

    Read More »from ‘Zero Dark 30′ First Look: We saw it and it’s a Best Picture Contender
  • Photo: Music Box PicturesThere's a purity to the English actress Rachel Weisz, as she glides from playing a doctor in the popcorn thriller "The Bourne Legacy" to a love-besotted wife in the intellectual romance "The Deep Blue Sea." In the latter film, she plays Hester Collyer, a postwar English aristocrat who risks everything for an affair with the charming but vapid pilot Freddie Page ("Thor's" Tom Hiddleston). Weisz delivers an Oscar-worthy performance that merits a second look. Adapted from the Terence Rattigan play and directed by Terence Davies, "The Deep Blue Sea" is one of the best films of 2012 that you probably haven't seen: It grossed $1.1 million domestically, while "The Bourne Legacy" hauled in $275 million worldwide.

    One difference between the two movies: In the big-budget "Bourne" Weisz is the chief damsel in distress; in "TDBS" she's the lead, and her character's story drives the plot. The posh Hester has married an older man for love and social position and then gets blown sideways when she meets a man in uniform who unleashes her libido. There's a thematic parallel to "Anna Karenina," another historical fiction about a women who exits a stifling marriage through infidelity and suffers the consequences.

    Read More »from Adams On Reel Women: Rachel Weisz on wives gone wild, ‘The Deep Blue Sea,’ and ‘Anna Karenina’
  • Hathaway is a slam-dunk for best supporting actress and "Les Miserables" is poised to take the most nominations including best picture.

    Anne HathawayAnne Hathaway in 'Les Miserables' (Photo: Universal Pictures)

    Anne Hathaway: Start writing your acceptance speech. Now that I've seen "Les Miserables," I can confirm that "The Dark Knight Rises" star, who plays the doomed factory-worker-turned-prostitute Fantine -- and sings her tonsils off -- has hit a very high note. In her supporting turn, Hathaway sings the signature song "I Dreamed a Dream" and brings the audience to tears. She's like musical meat tenderizer -- once the tears start flowing, they don't stop for the rest of the movie.

    Read More »from ‘Les Miserables’ First Look: We saw it and Anne Hathaway killed

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Meet the Reel Breakdown

BIO

She was the film critic at Us Weekly from 2000 - 2011, following six years at the New York Post. She has twice chaired the New York Film Critics Circle. Her novel PLAYDATE, an O Magazine pick, was published by St. Martin’s Press in January 2011. She writes a monthly interview column for Marie Claire, and has written for The New York Times Magazine, O: The Oprah Magazine, Parade, The Huffington Post, More, Interview Magazine, The New York Times, The international Herald Tribune, Cosmopolitan and Self. She has appeared on CNN, E!, NY1, NBC’s The Today Show, CBS’s The Early Show, Fox News Channel, Access Hollywood, Entertainment Tonight, Bravo and VH1.

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